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The Art of Personalised Jewellery: Why Engraved Bracelets Are the Ultimate Keepsake

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The shift towards bespoke accessories isn’t just a passing fad. It represents a deeper psychological need to ground our experiences in something tangible. Whether it is a date that changed your life, a coordinate of a favourite place, or a simple “I love you” in a loved one’s handwriting, these small details transform a piece of metal into a storied heirloom.

The History and Evolution of Engraving

Engraving is one of the oldest decorative techniques in human history. From ancient civilisations carving symbols into stone and bone to the intricate signet rings of the Renaissance, the act of marking an object has always been about identity and authority.

In the Victorian era, “mourning jewellery” often featured engraved initials or dates to commemorate lost loved ones. Fast forward to the mid-20th century, and ID bracelets became a staple for soldiers and eventually a high-fashion statement for icons like James Dean and Elvis Presley. Today, modern technology has refined this ancient craft, allowing for laser precision that can recreate even the most delicate scripts and symbols on various precious metals.

Why Choose Engraved Bracelets?

When looking for a gift or a personal treat, engraved bracelets offer several layers of value that off-the-shelf items simply cannot match:

  1. Unmatched Sentimentality: Unlike a standard gold chain, a personalised bracelet carries a specific message. It serves as a permanent reminder of a milestone – a graduation, a promotion, or the birth of a child.
  2. Versatile Gifting: Finding the “perfect” gift is notoriously difficult. Personalisation solves this problem by making the item inherently relevant to the recipient. It shows forethought and effort.
  3. Timeless Style: While charms and beads go in and out of fashion, a sleek, engraved bar or plate remains classic. It fits seamlessly into a professional wardrobe while remaining intimate enough for evening wear.

For those looking to create a truly bespoke piece, the options are nearly limitless. Leading Italian jewellery house Nomination offers an exceptional service where you can transform your ideas into reality. By visiting their dedicated page for engraved bracelets, you can explore how hand-drawn sketches or specific text can be etched onto high-quality stainless steel and gold links.

Creative Ideas for Your Next Piece

If you are struggling with what to engrave, consider these popular and meaningful categories:

  • Coordinates: The longitude and latitude of your birthplace, the location of your wedding, or a favourite travel destination.
  • Roman Numerals: A sophisticated way to display a significant year or date (e.g., XII.V.MMXXIV).
  • Initials and Monograms: A subtle nod to identity that never goes out of style.
  • Motivational Quotes: A short mantra like “Breathe,” “Fearless,” or “Keep Going” to serve as a daily reminder on your wrist.
  • Handwriting: Modern laser engraving can now replicate the exact handwriting of a person from a photograph or a letter, making the piece deeply personal.

Materials and Durability

When selecting a bracelet for engraving, the material choice is paramount. Since the engraving involves removing or marking the surface of the metal, you want a material that won’t flake or wear down easily.

  • Gold and Silver: These are traditional choices that are soft enough for deep engraving but require regular cleaning.
  • Stainless Steel: This is often the preferred choice for modern personalised jewellery. It is incredibly durable, hypoallergenic, and provides a crisp, high-contrast finish for engravings. It doesn’t tarnish, ensuring the message remains legible for decades.

How to Style Personalised Wristwear

The beauty of an engraved piece is its ability to “play well” with others. For a contemporary UK look, consider “stacking” your personalised bracelet with a watch or a simple tennis bracelet.

If your engraved piece is a bold cuff, let it stand alone as a statement. If it is a delicate link or a modular component, surround it with textures – perhaps a leather wrap or a beaded strand – to create a curated, bohemian aesthetic that still highlights the central, personal message.

In a world that feels increasingly automated, an engraved bracelet is a rebel’s choice. It is a refusal to be generic. Whether you are celebrating your own journey or honouring someone else’s, the addition of a personal inscription ensures that your jewellery is more than just an ornament – it is a piece of your history.



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Student Life

A midsummer nightmare: Our warming world

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It feels like only days ago that I was walking through the University Parks, ringed by waves of the greenest grass, the shiniest puddles, and the healthiest plants. Despite the occasional shower or muddy shoe, everything in the world seemed in order. That oh-so-familiar smell of dampened greenery was always a comfort to a countryside girl like me. The knowledge that all growing things could thrive was something that, only now, in hindsight, I feel unbelievably nostalgic for. The early spring sun marked a warm greeting to what I thought would be another hot but usual year in the UK.

Oh, how wrong I was.

The summer of 2026 was set to be, according to the Met Office, the hottest since records began, primed to beat the already record-breaking heat of 2025. That statement feels like gospel truth. Sticky, sweaty, endless nights of useless fans, gaping windows, and ice-cold flannels are just a small testament to the intense annoyance of what is likely to become an everyday occurrence in summers to come.

There has always been a national obsession with the weather for us Brits, as it does make a fantastic icebreaker for small talk. But like the Old Man in Aesop’s Fables, in our constant wishes for a hotter and less rainy climate, we’ve been lumped with the very extreme of our desires. Air-con-less buildings, hosepipe bans, and unprepared UK infrastructure have proven, this year much more than others, that we are currently unequipped to handle this rapidly changing climate.

Those daily walks through the parks, meticulously cared for by the University’s groundskeepers, became, over July and August, a stark warning of a bleak and barren world, dulled by crusted, broken ground. I keep being reminded of the 2008 Pixar film WALL-E, which so brilliantly depicts a future devoid of the very things we are losing in this daily heat. It has never been clearer that the climate crisis is a very real and very present threat to the structure and upkeep of our lives.

But not all is doom and gloom. Just like WALL-E, there is a silver lining to be found within the lack of clouds. No year has been more powerful in showing individuals how a changing climate affects us daily. Our farming industry has taken a huge beating, visible in the rising prices of supermarket essentials such as meat, grains, and produce. Our transport industry has been thrown into disarray, with the growing heat torching rail tracks and softening road surfaces. Even our retail industry has been hit, as higher temperatures deter the ‘mooch’ culture we, as Brits, so love. As these changes become non-negotiable and so clear to the pedestrian eye, a new wave of discussion and fresh ideas for change are inevitable. A drive from individuals and local councils that filters all the way up to government and global schemes is a clear necessity now in our fight for a safe and sustainable climate. 

Bicycle rides down Broad Street, afternoons in the Radcliffe Camera, and punting trips down the Cherwell have never felt quite so anxiety-inducing. At the student level, these changes are already altering daily life. I have never experienced heat like this. While trying to get my hard-earned beauty sleep, I found myself constantly between my bed and the sofa in the living area. Although the rest of my house felt very much the same, the sauna upstairs proved to be beyond taxing. It was the most surreal and clammy game of musical chairs I’ve ever played. Top-floor rooms in student accommodation or houses bake like ovens long past midnight; our moods begin to drop, our energy drains and our bills rise. It shapes how we study, how we sleep, and how we move through the term. Eco-stress is far less a twee turn of phrase than an imminent reality. Fearmongering is not my game, but when your senses are this attuned to the problem, you feel compelled to act.

At Oxford University, we are surrounded by the smartest minds from across the globe. There is no better place to experience and take part in the momentum of grassroots campaigns and student-run organisations. The Oxford Climate Society, led by students sitting next to you in lectures or halls, is the central hub for making real and lasting change at personal and systemic scales. One of my oldest friends is a key committee member, focusing her time on the education section. It was through her passion for the society and her captivating debates that I knew I wanted to get involved. Through campaigns, events, workshops, and courses, the society offers an inclusive and student-led space ready to challenge, educate, and inspire. Not only that, but they are also warm, kind friends to make whilst at Oxford, who, unlike our current climate, are always steady. 

Small, seemingly trivial choices can absolutely build into lasting differences. We can demand smarter and more environmentally conscious food options in college dining halls. We can push for green initiatives, better energy investments, and stronger funding opportunities in JCR and MCR meetings. We can build our moods back up, recharge our energy supplies, and get those bills back to a level of mutual comfort. Despite feeling like a needle in a haystack, a student amongst many, we truly do have the power to create enduring effects. And we can hold institutions accountable and make a real difference within our university walls. 

WALL-E was ultimately a love story, not just between two robots, but between humanity and the earth. The course of true love never did run smooth. But with education, understanding, and active engagement with our changing environment, there is always hope. We don’t have to settle for enduring the summer heat; together, we can build a future where we don’t just survive, but we live.



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In conversation with John Kennedy, “one of the most trusted voices in music”

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John Kennedy, like any great radio presenter, is endlessly curious. Joining me for a chat online, we discover that we’re sat just a mile apart, a coincidence only unearthed by John’s curiosity. This fascination with the world, its people, and fundamentally, its music, has guided John through his long career as a radio DJ. As “one of the most trusted voices in music” and now the host of the popular Tape Notes podcast, John has a wealth of hard-earned knowledge to be shared with us students.

John’s first foray into DJing occurred while studying at the University of East Anglia. Like many of us, he was no stranger to a student club night, even going so far as to start his own in Norwich. His experience is reminiscent of the recent resurgence in Oxford’s own student DJ scene, pioneered by Nightschool in 2024. Whether it’s the 1980s or the 2020s, students ultimately want to have fun, even if it means taking matters into their own hands.

But club nights never satisfied John’s curiosity. “They attract people who want to dance to what they heard the last time,” he tells me. “There’s no problem with that, but I wanted to vary my taste and discover new artists as much as I could.” This feeling, combined with sporadic contributions to his university magazine’s music section, drew him to the firm conclusion that he would, one day, work in radio. “It’s different each week. That’s why it’s so great.”

However, the start to John’s career as a radio DJ came by chance. “I applied to a course at Radio Thamesmead and a job at Tower Records. The interviews were scheduled for the exact same time! I ultimately tried my luck at Radio Thamesmead, and I managed to get in.” From there, John persevered to make radio a long-term job, rather than simply a story of his time at university. “You have to put yourself out there, and most importantly, dare to dream – I would give this advice to anyone trying to work in the media.”

After moving between several jobs, including a stint at the BBC Gramophone Library, John landed a full-time show at a new station, XFM (now known as Radio X). With the station geared towards rock music, and particularly indie rock, John gained notoriety for his deep, expansive interview style. On his show, X-Posure, John sits down with artists to break down an album, track by track, a methodical and attentive approach that will crop up again in his work on Tape Notes. X-Posure is the longest running show on Radio X, and John remains the only original presenter on the station.

Through X-Posure, John has been credited with discovering the likes of Adele, The xx, and Mumford & Sons – supporting new talent is one of John’s greatest joys. For several years, he hosted the In the Woods Festival in Kent, a curated lineup of up-and-coming artists, many of whom were yet to release their first record before performing.

Perhaps the greatest outcome of the In the Woods Festival, however, was Tape Notes. “A band at the festival was recording some sessions, and they came up with the idea of a music podcast, inspired somewhat by The Beatles Anthology.” John, with his years of radio experience, ended up with the most important role of all: host.

Much like X-Posure, Tape Notes is, first and foremost, about the intricacies of music production. Every fortnight, John sits down with a different artist to delve into their creative process – including visual demonstrations. Each artist represents something different, from the electronic flair of Fred Again… and Charli xcx to rock titans like Damon Albarn and Foo Fighters. Underpinning each episode is John’s natural curiosity for music, a curiosity shared by his guests. “Music is often a collaborative process. I think that artists are sometimes more comfortable talking about their work in a podcast format precisely because of this. It’s a real honour and privilege to be able to learn from them.”

Learn from them, we do. Tape Notes offers its viewers some of the most in-depth introductions to music production that money can buy, and John tells me that Tape Notes hopes to reach more students through its discounted student offer. “Creativity is born through exploration,” he says. “A subscription means access to gear lists, the full archive of episodes, and the opportunity to ask questions to the artists – a musical education in a time when such learning isn’t accessible to everyone. Young people are the next generation of music makers, and we want to foster that as much as possible.”

John still believes in the power of radio, as well. “Naturally, a spike is created by anything new,” he tells me, acknowledging that podcasts are becoming increasingly popular. So popular, in fact, that 27% of adults now listen to a podcast weekly. “The medium has changed the broadcasting landscape, particularly the standard of recording. While radio may sometimes be seen as overproduced, podcasts can be as simple as two people and a microphone.” But he stands firm in his conviction that radio is too often taken for granted.

His advice for young musicians extends to those looking to become radio presenters. “Commercial radio is always looking for more talent, and broadcasting is much more democratic now than it was in the past.” In many ways, he is right – with better technology at our fingertips, it is easier than ever to create our own opportunities, even if it means simply posting videos online. University radio stations are also a great way for students to become familiar with the ins and outs of broadcasting. Oxford’s own Oxide Radio is a free, beginner-friendly way to get involved with student radio, and who could forget about Cherwell Spoken?

Speaking about some of his favourite guests, John is once again endlessly curious. “Charli xcx is just a force of nature. Jack Antonoff, as well, his episode was really a masterclass in songwriting.” As Tape Notes continues to grow in 2026, John is just as huge of a fan of music as he was in the 80s, DJing in Norwich for his fellow students. “Radio, live gigs, buying records – that’s how I became a music fan.” In a media landscape often dominated by gossip, rumours, and sometimes pure hate, it’s undeniably refreshing to listen to John, a man who never lost sight of what really matters.



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Oxford’s new Reform UK society puts students like me at risk

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“Then they came for the Jews

And I did not speak out

Because I was not a Jew

Then they came for me

And there was no one left

To speak out for me”

-Excerpt from ‘First They Came’ by Pastor Martin Niemöller

I was too mentally exhausted to write this article, but I grew up watching my mother respond to every verbal harassment we faced on the street. When I once told her she could ignore it, she told me that they are relying on stereotypes surrounding Muslim women: they rely on us to be what they want us to be, silent and meek. It is our silence that emboldens them.

My heart dropped when I saw Cherwell’s headline: “Oxford Reform Society registers for Michaelmas”. This comes after Regius Professor Emeritus of Moral and Pastoral Theology at the University of Oxford, Nigel Biggar, defended the use of the N-word, and a few months after the Oxford Union hosted a debate on the motion “This House believes the West is right to be suspicious of Islam”. In the term prior, the former Oxford Union Librarian, Brayden Lee, was recorded making a string of comments targeting ethnic minorities, particularly those from Muslim-majority nations.

It’s clear that anti-Muslim hostility has not only passed the dinner table test, but has further infiltrated our student societies. But even at a time when a mosque in the UK is attacked every five days, I still refuse to make this article about my feelings or the British Muslim community’s fears about Reform UK. I am reminded of Muslim poet Suhaiymah Manzoor-Khan’s poem ‘This is not a humanising poem’, and I too refuse to defend my humanity or plead for empathy before my fellow Oxford students. To see us in this undignified position has been the cause of entertainment for many Oxford students, and has motivated many recent debates about our faith and background at the Oxford Union.

I do argue, however, that the Oxford Reform UK society will invite a breeding ground for anti-Muslim and anti-BME rhetoric on University grounds. Its existence only makes students like myself feel more at risk in our own University. Reform’s record of targeting Muslims and minorities speaks for itself.

In May 2024, Reform leader Nigel Farage said that “a growing number” of British Muslims “do not share British values”. In March 2025, the then-Reform Business and Agriculture Spokesman, Rupert Lowe (who has since been suspended after allegations of bullying and now leads the Restore Party), asked the government whether it would prohibit slaughter without stunning in order to ban halal meat, despite such a prohibition also applying to Kosher slaughter, which he did not call for banning. In January 2026, Sarah Pochin questioned the UK government’s definition of anti-Muslim hostility.

Reform also embraced Lee Anderson in March 2024, who was suspended by the Conservative Party for saying: “I don’t actually believe that the Islamists have got control of our country, but what I do believe is they’ve got control of [Sadiq] Khan and they’ve got control of London.” 

Another Reform candidate, Paul Harrison, backed mass deportations and retweeted an AI-generated caricature of Muslim men with Pakistani flags. A post on candidate Howard Raymond Din’s social media called for the mass shooting of Muslims, and candidate Leo Fruhman adopted the slogan “Every Muslim Out of Europe” under his tweets, which include “don’t f**king bring your barbarism tho or we’ll kick you to where you came from”, and “yes I do have a problem with Muslims”.

Many articles in the national press argue that Reform is racist, misogynistic, and Islamophobic. I need not write to convince you of this. I simply argue that a political party with a record of anti-Muslim hostility should not be active, promoted, and legitimised, least of all at institutions where many Muslims like myself live and study.

Every student has the right to feel safe and welcomed in their university, especially when university grounds are where they call home. It is not unreasonable for a student from any vulnerable group to feel unsafe around other students who openly support a political party that repeatedly targets them. It is also not unreasonable for them to feel unsafe on college grounds that may be hosting a politician for a society event who holds such views.

While unregistered, the Oxon Universities’ Reform Society hosted a Restore/Reform debate as well as inviting David Starkey to give a talk – the very same David Starkey who said “so many damn blacks survived during slavery”.

Reform has had to address extremist views spiralling out of control in its own party. During the 2024 general elections, it was made to remove more than a dozen candidates over their racist comments. This included campaigner Andrew Parker, who described Islam, rather than organised religion in general, as ‘a cult’. He suggested that the army should “F**king just shoot them”, referring to asylum seekers, and said of Rishi Sunak: “I’ve always been a Tory voter, but what annoys me is that f**king [P-word] we’ve got in.”

A 2026 investigation found many more Reform candidates making Islamophobic and racist comments, only some of whom were suspended. Former candidate Caspar Thomas tweeted that we should “kick Muslims out of our country”. He has written that “Black peoples have such a cringe victim complex”, and that “Indians are nasty”. While some of these individuals have been removed by Reform, it begs the question: what is it about Reform’s policies that keeps, time and time again, attracting these circles to begin with? 

If one truly studies Reform beyond the few examples mentioned in this article, they will quickly realise that the party is not truly concerned about immigration, integration, or British values, but only cloaks its moral panics and hostilities against Muslims and ethnic minorities behind these talking points. I do not expect students from different backgrounds to fully understand our experience of life. Non-British Muslims will also never understand the fears that dominate our lives. But it is further isolating to know that nobody will speak up or stand up for us, even outside the Reform event rooms. 

Students at the University of York protested their Restore student society. But I don’t feel confident that Oxford students would react the same way to the newly formed Reform society. It is not only the society that worries me, but also other students’ indifference towards it. I grew up in Britain where an anti-Muslim rally is described as a “an amazing day out with the family” and men who spew hatred against Muslims are called “activists”. Unsurprisingly, I have not always felt safe walking down the road as someone who is visibly Muslim. 

But now, with the new Oxford Reform society, I cannot say that I will always feel safe walking on college grounds, outside my dorm, in the JCR kitchen, or in any other shared space. Muslim and ethnic minority students should not have to navigate these spaces worried that the people close to us feel the same sentiments towards us that the student political society they belong to does.

Oxon Universites’ Reform Society was contacted for comment and told Cherwell that they share “concerns for the safety of all in Oxford”, with reference to a BBC News article from 2020 about grooming gangs in Oxford.



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