It feels like only days ago that I was walking through the University Parks, ringed by waves of the greenest grass, the shiniest puddles, and the healthiest plants. Despite the occasional shower or muddy shoe, everything in the world seemed in order. That oh-so-familiar smell of dampened greenery was always a comfort to a countryside girl like me. The knowledge that all growing things could thrive was something that, only now, in hindsight, I feel unbelievably nostalgic for. The early spring sun marked a warm greeting to what I thought would be another hot but usual year in the UK.

Oh, how wrong I was.

The summer of 2026 was set to be, according to the Met Office, the hottest since records began, primed to beat the already record-breaking heat of 2025. That statement feels like gospel truth. Sticky, sweaty, endless nights of useless fans, gaping windows, and ice-cold flannels are just a small testament to the intense annoyance of what is likely to become an everyday occurrence in summers to come.

There has always been a national obsession with the weather for us Brits, as it does make a fantastic icebreaker for small talk. But like the Old Man in Aesop’s Fables, in our constant wishes for a hotter and less rainy climate, we’ve been lumped with the very extreme of our desires. Air-con-less buildings, hosepipe bans, and unprepared UK infrastructure have proven, this year much more than others, that we are currently unequipped to handle this rapidly changing climate.

Those daily walks through the parks, meticulously cared for by the University’s groundskeepers, became, over July and August, a stark warning of a bleak and barren world, dulled by crusted, broken ground. I keep being reminded of the 2008 Pixar film WALL-E, which so brilliantly depicts a future devoid of the very things we are losing in this daily heat. It has never been clearer that the climate crisis is a very real and very present threat to the structure and upkeep of our lives.

But not all is doom and gloom. Just like WALL-E, there is a silver lining to be found within the lack of clouds. No year has been more powerful in showing individuals how a changing climate affects us daily. Our farming industry has taken a huge beating, visible in the rising prices of supermarket essentials such as meat, grains, and produce. Our transport industry has been thrown into disarray, with the growing heat torching rail tracks and softening road surfaces. Even our retail industry has been hit, as higher temperatures deter the ‘mooch’ culture we, as Brits, so love. As these changes become non-negotiable and so clear to the pedestrian eye, a new wave of discussion and fresh ideas for change are inevitable. A drive from individuals and local councils that filters all the way up to government and global schemes is a clear necessity now in our fight for a safe and sustainable climate. 

Bicycle rides down Broad Street, afternoons in the Radcliffe Camera, and punting trips down the Cherwell have never felt quite so anxiety-inducing. At the student level, these changes are already altering daily life. I have never experienced heat like this. While trying to get my hard-earned beauty sleep, I found myself constantly between my bed and the sofa in the living area. Although the rest of my house felt very much the same, the sauna upstairs proved to be beyond taxing. It was the most surreal and clammy game of musical chairs I’ve ever played. Top-floor rooms in student accommodation or houses bake like ovens long past midnight; our moods begin to drop, our energy drains and our bills rise. It shapes how we study, how we sleep, and how we move through the term. Eco-stress is far less a twee turn of phrase than an imminent reality. Fearmongering is not my game, but when your senses are this attuned to the problem, you feel compelled to act.

At Oxford University, we are surrounded by the smartest minds from across the globe. There is no better place to experience and take part in the momentum of grassroots campaigns and student-run organisations. The Oxford Climate Society, led by students sitting next to you in lectures or halls, is the central hub for making real and lasting change at personal and systemic scales. One of my oldest friends is a key committee member, focusing her time on the education section. It was through her passion for the society and her captivating debates that I knew I wanted to get involved. Through campaigns, events, workshops, and courses, the society offers an inclusive and student-led space ready to challenge, educate, and inspire. Not only that, but they are also warm, kind friends to make whilst at Oxford, who, unlike our current climate, are always steady. 

Small, seemingly trivial choices can absolutely build into lasting differences. We can demand smarter and more environmentally conscious food options in college dining halls. We can push for green initiatives, better energy investments, and stronger funding opportunities in JCR and MCR meetings. We can build our moods back up, recharge our energy supplies, and get those bills back to a level of mutual comfort. Despite feeling like a needle in a haystack, a student amongst many, we truly do have the power to create enduring effects. And we can hold institutions accountable and make a real difference within our university walls. 

WALL-E was ultimately a love story, not just between two robots, but between humanity and the earth. The course of true love never did run smooth. But with education, understanding, and active engagement with our changing environment, there is always hope. We don’t have to settle for enduring the summer heat; together, we can build a future where we don’t just survive, but we live.

John Kennedy, like any great radio presenter, is endlessly curious. Joining me for a chat online, we discover that we’re sat just a mile apart, a coincidence only unearthed by John’s curiosity. This fascination with the world, its people, and fundamentally, its music, has guided John through his long career as a radio DJ. As “one of the most trusted voices in music” and now the host of the popular Tape Notes podcast, John has a wealth of hard-earned knowledge to be shared with us students.

John’s first foray into DJing occurred while studying at the University of East Anglia. Like many of us, he was no stranger to a student club night, even going so far as to start his own in Norwich. His experience is reminiscent of the recent resurgence in Oxford’s own student DJ scene, pioneered by Nightschool in 2024. Whether it’s the 1980s or the 2020s, students ultimately want to have fun, even if it means taking matters into their own hands.

But club nights never satisfied John’s curiosity. “They attract people who want to dance to what they heard the last time,” he tells me. “There’s no problem with that, but I wanted to vary my taste and discover new artists as much as I could.” This feeling, combined with sporadic contributions to his university magazine’s music section, drew him to the firm conclusion that he would, one day, work in radio. “It’s different each week. That’s why it’s so great.”

However, the start to John’s career as a radio DJ came by chance. “I applied to a course at Radio Thamesmead and a job at Tower Records. The interviews were scheduled for the exact same time! I ultimately tried my luck at Radio Thamesmead, and I managed to get in.” From there, John persevered to make radio a long-term job, rather than simply a story of his time at university. “You have to put yourself out there, and most importantly, dare to dream – I would give this advice to anyone trying to work in the media.”

After moving between several jobs, including a stint at the BBC Gramophone Library, John landed a full-time show at a new station, XFM (now known as Radio X). With the station geared towards rock music, and particularly indie rock, John gained notoriety for his deep, expansive interview style. On his show, X-Posure, John sits down with artists to break down an album, track by track, a methodical and attentive approach that will crop up again in his work on Tape Notes. X-Posure is the longest running show on Radio X, and John remains the only original presenter on the station.

Through X-Posure, John has been credited with discovering the likes of Adele, The xx, and Mumford & Sons – supporting new talent is one of John’s greatest joys. For several years, he hosted the In the Woods Festival in Kent, a curated lineup of up-and-coming artists, many of whom were yet to release their first record before performing.

Perhaps the greatest outcome of the In the Woods Festival, however, was Tape Notes. “A band at the festival was recording some sessions, and they came up with the idea of a music podcast, inspired somewhat by The Beatles Anthology.” John, with his years of radio experience, ended up with the most important role of all: host.

Much like X-Posure, Tape Notes is, first and foremost, about the intricacies of music production. Every fortnight, John sits down with a different artist to delve into their creative process – including visual demonstrations. Each artist represents something different, from the electronic flair of Fred Again… and Charli xcx to rock titans like Damon Albarn and Foo Fighters. Underpinning each episode is John’s natural curiosity for music, a curiosity shared by his guests. “Music is often a collaborative process. I think that artists are sometimes more comfortable talking about their work in a podcast format precisely because of this. It’s a real honour and privilege to be able to learn from them.”

Learn from them, we do. Tape Notes offers its viewers some of the most in-depth introductions to music production that money can buy, and John tells me that Tape Notes hopes to reach more students through its discounted student offer. “Creativity is born through exploration,” he says. “A subscription means access to gear lists, the full archive of episodes, and the opportunity to ask questions to the artists – a musical education in a time when such learning isn’t accessible to everyone. Young people are the next generation of music makers, and we want to foster that as much as possible.”

John still believes in the power of radio, as well. “Naturally, a spike is created by anything new,” he tells me, acknowledging that podcasts are becoming increasingly popular. So popular, in fact, that 27% of adults now listen to a podcast weekly. “The medium has changed the broadcasting landscape, particularly the standard of recording. While radio may sometimes be seen as overproduced, podcasts can be as simple as two people and a microphone.” But he stands firm in his conviction that radio is too often taken for granted.

His advice for young musicians extends to those looking to become radio presenters. “Commercial radio is always looking for more talent, and broadcasting is much more democratic now than it was in the past.” In many ways, he is right – with better technology at our fingertips, it is easier than ever to create our own opportunities, even if it means simply posting videos online. University radio stations are also a great way for students to become familiar with the ins and outs of broadcasting. Oxford’s own Oxide Radio is a free, beginner-friendly way to get involved with student radio, and who could forget about Cherwell Spoken?

Speaking about some of his favourite guests, John is once again endlessly curious. “Charli xcx is just a force of nature. Jack Antonoff, as well, his episode was really a masterclass in songwriting.” As Tape Notes continues to grow in 2026, John is just as huge of a fan of music as he was in the 80s, DJing in Norwich for his fellow students. “Radio, live gigs, buying records – that’s how I became a music fan.” In a media landscape often dominated by gossip, rumours, and sometimes pure hate, it’s undeniably refreshing to listen to John, a man who never lost sight of what really matters.