Connect with us

Student Life

The Devil is Sponsored by Dior: ‘The Devil Wears Prada 2’ in review

Published

on


Anyone who has been to the cinema at all in the last couple of years will have found themselves asking the question: “Why does everything look like that?” This feeling is especially palpable when you’re watching the exact same scene from 20 years ago, desaturated. The Devil Wears Prada 2 opens with Andy (Anne Hathaway) brushing her teeth in the mirror, a perfectly unsubtle reflection of the first seconds of the original film. The only marked difference is the colour grading and the quiet hum of Andy’s electric toothbrush, signalling the decades that have passed, given that Hathaway’s poreless face certainly tries to deny it. 

The original Devil Wears Prada was a film that took a major Hollywood gamble. Being an adaptation of the roman à clef of the same name, the production team were backed into a corner in terms of how to finance and market the film, given the sharp and overt satire of the woman who owned the entire fashion industry. Anna Wintour was still, by and large, the most powerful person in fashion when director David Frankel was fighting to create an accurate representation of the fashion industry in his film. Patricia Field, the costume designer, sourced approximately $1 million worth of clothing on a $100,000 budget through her personal connections outside of the so-called ‘Wintour ecosystem’. Intuitive filming locations like the Met, MoMA, and Bryant Park all had board members associated with Wintour and thus could not be used as sets. The film implicitly argues that this is a story worth telling, even if the industry it claims to be intimate with is intent on boycotting it. For an almost tiringly self-aware sequel – yes, we know that a million girls would kill for this job, and an early scene warps the Meryl Streep cinematic universe by featuring an Instagram post that uses a screencap of Miranda from the original film – The Devil Wears Prada 2 doesn’t seem to recall the conditions of production in 2006 at all. 

From its earliest scenes through to the very end, The Devil Wears Prada 2 is functionally an unskippable ad. The sponsorships that the film took are displayed in a very obvious and sometimes tacky manner  – though I could see it coming from a million miles away, the shameless Starbucks promo made me wince and sink into my seat a little further. Whilst the coffee cups can be ignored to some degree, the brand partnerships are unfortunately also integral to the plot. 

We find out early on that Emily (Emily Blunt) now works in the advertising department of Dior. Andy, Miranda, and Nigel (Stanley Tucci) must appease her after it is revealed that a puff piece published by Runway praises a brand that uses sweatshop labour. Emily leverages this against the Runway executives in order to secure a five-page layout for the new Dior flagship, which Andy is assigned to write. In her interview with Andy, Emily speaks glowingly of how designer brands have essentially made themselves inaccessible for the average, middle-class consumer. According to Emily, the shoes you wear, the bag you carry, they speak to who you are and what you care about. Andy scoffs at this because she knows what the audience knows, too: your Dior purse only tells the world that you have too much money and not a clue what to do with it. The frustrating part is that she is functionally not at liberty to say anything else. The iron-clad partnership with Dior means that Andy, a character who we know to value principles over fancy dress, must change her tune. Patricia Field securing a Chanel wardrobe for the cast out of thin air is essentially what Nigel does for Andy in the first film – an important part about her transformation is that she has not actually risen in status, she has just made good friends in high places. In the second film, her new position as features editor at Runway earns Andy enough money to buy a luxury flat in central Manhattan. Maybe scoffing shows the true extent of her desire to retaliate. 

Though a big budget was undoubtedly necessary to secure the returning cast who are now all firmly on the A-list, I can’t help but partially blame the – pardon my French – late-stage capitalist slop on my screen on the rise of streaming services. This story, like all other scripts of the 2020s, has died a sad death; its eulogy will simply be the tudum sound. This is apparent even in the beigeness of the opening scene and Hathaway’s blemish-free face. Netflix has operated under a tiered subscription system for the last decade, wherein you can pay the difference to unlock ‘Ultra HD’ streaming. You can also, of course, pay to stream without ads. The luxury brand scheme that Emily describes is the same financial model that has taken hold of the film industry, causing the decline of cinema attendance and poisoning blockbuster-scale productions. Those who truly want it, the ever-growing roster of streaming services tells us, will pay for it. The rest of us must suffer.

It’s not all bad, though. I am definitely not high and mighty enough to claim myself indifferent to nostalgia bait, especially when it objectively makes a pretty good attempt at regenerating the buzz of its predecessor. Upon rewatching the first film with my friends to refresh our memories, one of them exclaimed: “There’s just so many scenes to queen out to!” This is what the sequel gets right – the focus is still largely on girls and gays, their fun, campy outfits, and of course, a musical number performed by Lady Gaga. Despite its glowering flaws, the film still makes for two hours spent smiling and bopping your head along to the soundtrack. 

However, the funniest part about the whole film is how it postures as self-conscious in a comically “maybe the real Prada was the devils we met along the way” manner, and still manages to be completely dense in other aspects. The 2003 novel The Devil Wears Prada was written by Lauren Weisberger after she spent a period working as Anna Wintour’s personal assistant. Andy is literally given the option to take a $350,000 book deal to write what would have probably been a “gooey” (as Emily accurately characterises her) depiction of the Prada-clad HR disaster that she works for, by Miranda herself, and she still turns it down. “This could hurt Miranda,” she whispers in a trembling voice when she refuses her publisher friend Talia’s (Rachel Bloom) offer for the book, to which Talia rightly responds, “Which is fine, because Miranda is atrocious!” To Andy, it’s more complicated than that, and maybe this is an acceptably humanist approach, but one thing is certain. In the world of The Devil Wears Prada 2, there is one thing that could have never existed: The Devil Wears Prada.



Source link

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Student Life

St Edmund Hall unveils new eco-friendly accommodation 

Published

on


St Edmund Hall has opened new, sustainability-focused accommodation in Norham Gardens, one of Oxford’s most affluent neighbourhoods.

 The College describes the buildings, which took three years to construct, as an “exemplar” of sustainability. Designed by architects Wright & Wright LLP, they are certified with a Passivhaus standard, widely regarded as the industry benchmark for energy efficiency, and were built using “sustainably sourced and low-embodied carbon materials”. According to a press release on the Teddy Hall website, the buildings will use 70% less energy than the typical modern building. 

It contains 127 en-suite study rooms, split across three new buildings: Willis House, Ashton House, and Elliott House, on the nearly 50-year-old Norham St Edmund site. The buildings, which back onto University Parks, are powered at least in part by solar panels and are heated by air-source heat pumps. 

The rooms include heated towel racks, big double beds, and dimmable lights. Despite the luxury, the College kept the nightly rate in line with the rest of its Norham housing. The College told Cherwell that it “recognises the need to keep rents as low as possible” and that its accommodation costs are “below the median of all Oxford colleges”. By that standard, tenants are expected to pay around £30 a night. 

Rooms on the site will be reserved for Teddy Hall returning undergraduates. They will not be available to postgraduates and, by extension, not be offered through the Oxford University Collegiate Accommodation System, now in its second year of opening college rooms to students from other colleges. The accommodation will allow Teddy Hall to accommodate all undergraduates for their whole degree. 

The development’s outdoor spaces are boasted as climate-resilient and biodiverse, with landscaped gardens and lawns. For budding geographers and biologists, the most intriguing feature may be an ecology pond. 

Chancellor William Hague said in a press release: “Norham St Edmund is a world-leading blueprint for future student accommodation projects and sustainable building design, both in Oxford and beyond. I look forward to seeing it serve a thriving college community for generations to come.



Source link

Continue Reading

Student Life

Summit calls for human rights safeguards on AI

Published

on


Human rights experts called for stronger legal protections against the risks posed by artificial intelligence (AI) at an Oxford AI and Human Rights Summit, with speakers arguing that human rights standards must be embedded into AI governance and technology. 

The summit was hosted at the newly redeveloped Rhodes House in Oxford and organised by the Institute for Ethics in AI. It built upon Professor Yuval Shany’s consultation on a white paper, published in 2025, on the need for and feasibility of an international AI Bill of Human Rights, which proposes ways to adapt existing human rights standards so as to better address some of the unique challenges posed by AI systems and their uses. 

An opening video address from the United Nations High Commissioner for Human Rights Volker Türk outlined how AI policy can keep pace with a fast-developing technology. He said that “great power demands responsibility on the same scale, and when the two don’t match, we have a problem”. Corporate control, he explained, means that AI policy stretches beyond existing national borders. He continued to praise this summit for bringing together leaders and representatives at the forefront of the discussion.

 Speakers called on the UK government to establish legislation, recalling Labour’s manifesto commitment to an AI Bill of Human Rights. The panellists broadly agreed on the importance of human rights, but appeared less aligned on what enforcement should look like in practice.

 In an exclusive interview, Michael O’Flaherty, the Council of Europe’s Commissioner for Human Rights, told Cherwell that political short-termism Continued on pg. 2 risks undermining efforts to address the long-term consequences of AI. “We are infected across our societies with shorttermist responses to the great issue of our societies and politics,” he said, adding that electoral cycles make it difficult for politicians “to think beyond the next election”. 

O’Flaherty also noted that younger generations no longer take the international human rights system for granted. “There is no longer an assumption that the human rights system is safe, that it will survive,” he told Cherwell. He argued that political leaders increasingly treat human rights selectively, saying: “Increasingly, leaders are treating human rights, if they are respected at all, as an a la carte buffet. We take those rights because they serve our goal. We’ll ignore others because they get in the way.

The summit also heard concerns about the effects of AI-generated misinformation on communities that may have limited access to, or awareness of, the technology itself. An audience question asked human rights experts to consider the impacts of AI on populations, such as those in India, who might be unaware of its existence. The focus on the impact of AI on populations in developing countries more vulnerable to the power of big tech was a key theme of the summit. 

Eileen Carter from the South African Human Rights Commission warned that underrepresentation of African languages in large language models could exacerbate existing inequalities. She also raised concerns about the effects of misinformation and deepfakes on elections, referring to more than 360 deaths associated with unrest and the amplification of narratives. 

The third panel, which offered a civil society perspective on promoting human rights in AI systems, offered some hope. Across all speakers, the potential for AI to transform the beliefs that underpin human rights, including the rights to water, education, and an interpreter, was debated. When asked about AI’s potential to unravel and alter the definition of human rights, such as what is included in the ‘right to education’ O’Flaherty told Cherwell: “The damage that can be done by AI has hit more dramatically and more visibly than perhaps any other sector within education through the phenomenon of cognitive loss, of cognitive transfer. We’re only beginning to realise the extent to which we have allowed education to be fundamentally undermined for an entire generation. 

“It’s time to seize that now and engage it. I’m not sure that the classic understanding of the human right to education is particularly well-framed for this extraordinary development.”

 In a discussion on different countries’ regulatory approach to AI, Suresh Venkatasubramanian, professor at Brown University and former AI advisor to US President Joe Biden, argued that AI systems should not be treated as inevitable developments beyond human control. “We continue, I think, to talk about AI as a thing that emerged out of nowhere that we just have to deal with,” he said. “We forget that these aren’t coming from an alien planet and they were built by entities that choose to build them in a certain way.” He called for pressure on technology companies to make different choices about how AI systems are developed. 

Questions of accountability also emerged during discussions about AI’s potential to improve access to justice. Research presented by Philippa Webb said that only 10% of people who have access to a lawyer can get one while there are thousands of bookings for an interpreter in a court covering 150 languages. However, this progress is not cemented as “general-purpose chatbots hallucinate 58% of the time on a legal task”. The use of AI in moderating legal proceedings raised fundamental questions about humanity and authority. Thompson Chengeta from Liverpool John Moores University said that “human rights is the last line of defence so when we say we want a human rights based governance… human rights is not an idea, it is an obligation. There is a gap that can only be recovered by a legally binding instrument”.

The event culminated in a panel offering an industry perspective. Co-host Dr Caroline Emmer De Albuquerque Green questioned representatives from Meta, Google, Microsoft, and OpenAI. Michael Karimian, who works in digital diplomacy at Microsoft, discussed the role of private sectors in engaging with AI, defining corporate responsibility as something which “provides transparency and identified risks”. 

All companies supported having formal programmes to ensure that they have an AI policy in place. Within their own companies, they suggested protective measures such as specialised training to ensure that policies, such as whistleblowing, are understood. Alexandria Walden from Google described how consultations with stakeholders could be used to identify when the product breached users’ boundaries. These assessments, according to OpenAI’s spokesperson, “feedback into tangible technical input” and “benchmark it”.

Fundamentally, understanding the rationale behind human rights is imperative, though lacking. Alexandria Walden from Google said: “Whether or not they understand human rights, they care enough to infuse it in their company… we might not always get it right, but it is something we care about.” 

Where former panels discussed controls to ensure human rights are considered in the development and implementation of AI products, this panel focused on mitigation. A spokesperson from Google pointed out that technology is inevitably going to move faster, so multiple tools are needed. Companies, OpenAI’s representative noted, still encounter issues such as discrimination and free speech. Consequently, they regard this as an additional policy which companies have a structured model to deal with, but newer companies, and newer industries, haven’t learnt it yet. 

In her concluding remarks, Green called for policy makers to “make the abstract actionable” at both governmental and corporate levels. She argued that, by framing the issues posed by AI as human rights issues, we gain a “foundation” for recognising AI’s many societal impacts.



Source link

Continue Reading

Student Life

Oxford University launches Ebola vaccine trial in Uganda

Published

on


Ugandan participants in a clinical safety study received an Oxford developed Ebola vaccine this week. 

Researchers vaccinated the first participants on 6th October in Masaka, Uganda. The phase follows the launch of a first-in-human Phase I trial in the UK evaluating the same vaccine candidate. 

They received the vaccine as part of an evaluation of the safety and efficacy of a ChAdOx-based Bundibugyo Ebola vaccine candidate developed by the Oxford Vaccine Group (OVG) and the Pandemic Sciences Institute at the University of Oxford. 

Development for this vaccine began in May this year in response to the ongoing Ebola outbreak in the Democratic Republic of the Congo (DRC). The research, led by OVG’s Professor Teresa Lambe and Professor Simon Drysdale, is funded by the Coalition for Epidemic Preparedness Innovations (CEPI). No licenced vaccine for the Bundibugyo strain of Ebola virus currently exists. 

In a statement to Cherwell, OVG said its involvement includes collaborating with the Ugandan research team to support “the study’s scientific design, clinical trial coordination, safety oversight, and evaluation of vaccine safety and immunogenicity”. The Phase I clinical trial addresses a rare strain of Ebola virus affecting communities in the DRC since May. The phase is a collaboration between the Medical Research Council/ Uganda Virus Research Institute and the London School of Hygiene and Tropical Medicine (LSHTM). 

Dr Nicole Lurie, CEPI’s Executive Director for Emergency Preparedness and Response, told Cherwell: “It [the Bundibugyo outbreak] remains the fastest-growing and second-largest Ebola outbreak ever recorded – and we currently remain without a licensed vaccine or treatment.” The Bundibugyo Ebola epidemic in the DRC has surpassed 8,600 cases, with almost half of infections proving fatal. 

The outbreak was declared a Public Health Emergency of International Concern (PHEIC) by the World Health Organisation (WHO) in May. 

OVG told Cherwell: “For more than a decade, the University of Oxford has performed many clinical trials of candidate viral-vectored vaccines. Some of the most promising vaccines used a modified chimpanzee adenovirus, a harmless version of a common cold virus. The Oxford-AstraZeneca (ChAdOx1) COVID-19 vaccine was approved for emergency use in the UK in December 2020 and was estimated to have saved six million lives during 2021 alone, and over 3 billion doses were used worldwide.” The adenovirus vector vaccine technology trialled in this study was successfully used worldwide as part of the Oxford-AstraZeneca COVID-19 vaccine. 

More funding is necessary to ensure the development and approval of the Ebola vaccine. Lurie told Cherwell: “Without sufficient additional funding, we are at risk of not being able to develop these promising vaccine candidates… CEPI urgently needs US$128M now to keep our Bundibugyo emergency R&D response moving. Without it, we are putting the DRC, and the world, at tremendous risk.”



Source link

Continue Reading

Trending