Student Life
Nonsense and sensibility: Adapting Austen for the screen
It is a truth universally acknowledged that not all Jane Austen adaptations are created equal. But this fact hasn’t stopped a cycle of new adaptations from dominating our screens every few years and captivating our attention each and every time. Both ‘good’ and ‘bad’ versions share equal success in revitalising discussions on what constitutes accurate representations of women, relationships, historicity, and above all, the nuanced social commentary at the heart of all of Austen’s novels. Butchered adaptations will not only find themselves sentenced to the depths of IMDb, but also condemned for the indignance it strikes in the heart of every ‘Janeite’ for its contribution towards a pervasive media culture that so often fails to present women and romance with multifaceted depth. A ‘good’ adaptation inspires quite the opposite reaction, with fans often planting it firmly on an immovable pedestal, second only to Austen’s writing itself.
Two new adaptations of Austen’s novels are due to be released this year alone – Sense and Sensibility and Pride and Prejudice – and in doing so, both are inevitably placing themselves on the chopping block of opinion, where every minutia is scrutinised and compared, and any creative liberties taken are examined in microscopic detail. Netflix has declared that every generation deserves its own adaptation of Pride and Prejudice. Regardless of whether you agree with this statement, what can be said with certainty is that, in filming a new version of an Austen novel, the final form shoulders the significant responsibility of shaping, at least in part, the contemporary perspective of such classic works.
So what does constitute a good Austen adaptation? Is it one that lingers dreamily in the collective memory, its tendrils shaping Pinterest boards and helping romanticise the Regency era? Or does a more successful adaptation try to shed its source material, using its skeleton to instead tailor the content to modern audiences? To answer in short, an Austen adaptation should aim to be as timeless and enduring as the novels themselves.
In the check-box for good Austen adaptations, a realistic and genuine portrayal of female characters must come top of the list. Each of Austen’s novels centres primarily around their female protagonists, with some even being eponymous, such as Emma or Lady Susan. Although now a much beloved character, Austen famously wrote that Emma would be a heroine “whom no one but myself will much like”, anticipating the reception of Emma’s most explicit flaw: vanity. But it is this degree of verisimilitude that should be translated on screen, since these female characters are intentionally imperfect, designed to hold a mirror up to their audience. Romola Garai’s portrayal of Emma Woodhouse in Emma (2009) convincingly embraces the character’s penchant for snobbery, self-importance, and meddling, whilst also highlighting her intelligence and growing self-awareness. Likewise, Kate Winslet’s portrayal of Marianne Dashwood in Sense and Sensibility (1995) captures her headstrong naivety, without compromising her playful and amusing character.
Appropriate on-screen dialogue is integral to the success of any period piece, whether it’s the accent, delivery, colloquialisms, or the words themselves. Jennifer Ehle as Elizabeth Bennet and Anna Chancellor as Caroline Bingley in Pride and Prejudice (1995) both diligently balance the witticisms, humour, and carefully barbed jabs peppered throughout Austen’s novel. Ehle delivers the quick-witted back-and-forth between Elizabeth and Mr Darcy (Colin Firth) with playful yet biting precision, capturing the evocative tension in the dialogue that emanates from the page itself in the novel. Chancellor embodies the highly-strung, sharp-tongued Miss Bingley, with her arched eyebrows and tense posture constantly reminiscent of a predator stalking its prey.
On the opposite end of this spectrum, however, is Persuasion (2022), which failed to win the hearts of its audience. Listening to Dakota Johnson’s Anne Elliot describe, in a slightly jilting ‘English’ accent, how she and Wentworth are “worse than exes – we’re friends” in an awkward attempt to break the fourth wall, feels jarring, to say the least. The vocabulary of this Anne Elliot is littered with weird anachronisms, which are exacerbated by her oddly forced habits of drinking alone and stroking her random pet rabbit. In attempting to create a ‘wine-drunk-girlboss-cool aunt’ out of Anne, Cracknell obscures the intelligence and emotional depth Austen equipped her with. So it could only be through Anne Elliot that Austen could voice such social commentary: “Men have had every advantage of us in telling their own story. Education has been theirs in so much higher a degree; the pen has been in their hands.”
Yet the blatant 21st-century vernacular in Persuasion (2022) begs the question – does modernising these historical storylines make the audience lose touch with the original material, and to what extent? There seems to be an implicit assumption that the modern audience would not be able to meaningfully comprehend or engage with the notions of 18th-century society, and certainly not its phraseology. So do these novels need to be adapted or abridged to remain relevant or accessible to a contemporary audience? The respective success of both Clueless (1995) and Emma (2020) might answer this for us. Both films are based on the original novel, yet interact with their source material in entirely opposite yet highly engaging ways. By retaining the core plot of a well-intentioned but ultimately misguided and meddling matchmaker, but adapting the setting, characters, dialogue, and costumes entirely to the era in which it is set, both films convincingly tap into the timeless themes of girlhood and personal growth.
However, the appeal of Austen in TV and film isn’t just restricted to the canonical sphere. Spin-offs of Austen’s works have been flooding our screens for decades, with the greatest source of inspiration for these adaptations being Pride and Prejudice. From Pride and Prejudice and Zombies (2016) to Death Comes to Pemberley (2013), and most recently The Other Bennet Sister (2026), the captivating and enduring ingenuity of Austen’s novels lends itself well to reinvention time and time again. Much like Clueless (1995) – and very unlike Persuasion (2022) – these Austen-adjacent adaptations demonstrate that modern creativity in a historical context can certainly thrive.
Although these aspects are not a guaranteed recipe for success, the realistic portrayals of female characters, appropriate dialogue, and believable historicity, are, in my opinion at least, the fundamentals for a ‘good’ Austen adaptation. Even if you disagree, the continuous remaking of Austen novels suggests our appetite to be enthralled or appalled by the many different renditions remains as insatiable as ever. After all, it has been over 80 years now since the first major adaptation of Pride and Prejudice in 1940, and we’re still waiting for the next.
Student Life
St Edmund Hall unveils new eco-friendly accommodation
St Edmund Hall has opened new, sustainability-focused accommodation in Norham Gardens, one of Oxford’s most affluent neighbourhoods.
The College describes the buildings, which took three years to construct, as an “exemplar” of sustainability. Designed by architects Wright & Wright LLP, they are certified with a Passivhaus standard, widely regarded as the industry benchmark for energy efficiency, and were built using “sustainably sourced and low-embodied carbon materials”. According to a press release on the Teddy Hall website, the buildings will use 70% less energy than the typical modern building.
It contains 127 en-suite study rooms, split across three new buildings: Willis House, Ashton House, and Elliott House, on the nearly 50-year-old Norham St Edmund site. The buildings, which back onto University Parks, are powered at least in part by solar panels and are heated by air-source heat pumps.
The rooms include heated towel racks, big double beds, and dimmable lights. Despite the luxury, the College kept the nightly rate in line with the rest of its Norham housing. The College told Cherwell that it “recognises the need to keep rents as low as possible” and that its accommodation costs are “below the median of all Oxford colleges”. By that standard, tenants are expected to pay around £30 a night.
Rooms on the site will be reserved for Teddy Hall returning undergraduates. They will not be available to postgraduates and, by extension, not be offered through the Oxford University Collegiate Accommodation System, now in its second year of opening college rooms to students from other colleges. The accommodation will allow Teddy Hall to accommodate all undergraduates for their whole degree.
The development’s outdoor spaces are boasted as climate-resilient and biodiverse, with landscaped gardens and lawns. For budding geographers and biologists, the most intriguing feature may be an ecology pond.
Chancellor William Hague said in a press release: “Norham St Edmund is a world-leading blueprint for future student accommodation projects and sustainable building design, both in Oxford and beyond. I look forward to seeing it serve a thriving college community for generations to come.
Student Life
Summit calls for human rights safeguards on AI
Human rights experts called for stronger legal protections against the risks posed by artificial intelligence (AI) at an Oxford AI and Human Rights Summit, with speakers arguing that human rights standards must be embedded into AI governance and technology.
The summit was hosted at the newly redeveloped Rhodes House in Oxford and organised by the Institute for Ethics in AI. It built upon Professor Yuval Shany’s consultation on a white paper, published in 2025, on the need for and feasibility of an international AI Bill of Human Rights, which proposes ways to adapt existing human rights standards so as to better address some of the unique challenges posed by AI systems and their uses.
An opening video address from the United Nations High Commissioner for Human Rights Volker Türk outlined how AI policy can keep pace with a fast-developing technology. He said that “great power demands responsibility on the same scale, and when the two don’t match, we have a problem”. Corporate control, he explained, means that AI policy stretches beyond existing national borders. He continued to praise this summit for bringing together leaders and representatives at the forefront of the discussion.
Speakers called on the UK government to establish legislation, recalling Labour’s manifesto commitment to an AI Bill of Human Rights. The panellists broadly agreed on the importance of human rights, but appeared less aligned on what enforcement should look like in practice.
In an exclusive interview, Michael O’Flaherty, the Council of Europe’s Commissioner for Human Rights, told Cherwell that political short-termism Continued on pg. 2 risks undermining efforts to address the long-term consequences of AI. “We are infected across our societies with shorttermist responses to the great issue of our societies and politics,” he said, adding that electoral cycles make it difficult for politicians “to think beyond the next election”.
O’Flaherty also noted that younger generations no longer take the international human rights system for granted. “There is no longer an assumption that the human rights system is safe, that it will survive,” he told Cherwell. He argued that political leaders increasingly treat human rights selectively, saying: “Increasingly, leaders are treating human rights, if they are respected at all, as an a la carte buffet. We take those rights because they serve our goal. We’ll ignore others because they get in the way.
The summit also heard concerns about the effects of AI-generated misinformation on communities that may have limited access to, or awareness of, the technology itself. An audience question asked human rights experts to consider the impacts of AI on populations, such as those in India, who might be unaware of its existence. The focus on the impact of AI on populations in developing countries more vulnerable to the power of big tech was a key theme of the summit.
Eileen Carter from the South African Human Rights Commission warned that underrepresentation of African languages in large language models could exacerbate existing inequalities. She also raised concerns about the effects of misinformation and deepfakes on elections, referring to more than 360 deaths associated with unrest and the amplification of narratives.
The third panel, which offered a civil society perspective on promoting human rights in AI systems, offered some hope. Across all speakers, the potential for AI to transform the beliefs that underpin human rights, including the rights to water, education, and an interpreter, was debated. When asked about AI’s potential to unravel and alter the definition of human rights, such as what is included in the ‘right to education’ O’Flaherty told Cherwell: “The damage that can be done by AI has hit more dramatically and more visibly than perhaps any other sector within education through the phenomenon of cognitive loss, of cognitive transfer. We’re only beginning to realise the extent to which we have allowed education to be fundamentally undermined for an entire generation.
“It’s time to seize that now and engage it. I’m not sure that the classic understanding of the human right to education is particularly well-framed for this extraordinary development.”
In a discussion on different countries’ regulatory approach to AI, Suresh Venkatasubramanian, professor at Brown University and former AI advisor to US President Joe Biden, argued that AI systems should not be treated as inevitable developments beyond human control. “We continue, I think, to talk about AI as a thing that emerged out of nowhere that we just have to deal with,” he said. “We forget that these aren’t coming from an alien planet and they were built by entities that choose to build them in a certain way.” He called for pressure on technology companies to make different choices about how AI systems are developed.
Questions of accountability also emerged during discussions about AI’s potential to improve access to justice. Research presented by Philippa Webb said that only 10% of people who have access to a lawyer can get one while there are thousands of bookings for an interpreter in a court covering 150 languages. However, this progress is not cemented as “general-purpose chatbots hallucinate 58% of the time on a legal task”. The use of AI in moderating legal proceedings raised fundamental questions about humanity and authority. Thompson Chengeta from Liverpool John Moores University said that “human rights is the last line of defence so when we say we want a human rights based governance… human rights is not an idea, it is an obligation. There is a gap that can only be recovered by a legally binding instrument”.
The event culminated in a panel offering an industry perspective. Co-host Dr Caroline Emmer De Albuquerque Green questioned representatives from Meta, Google, Microsoft, and OpenAI. Michael Karimian, who works in digital diplomacy at Microsoft, discussed the role of private sectors in engaging with AI, defining corporate responsibility as something which “provides transparency and identified risks”.
All companies supported having formal programmes to ensure that they have an AI policy in place. Within their own companies, they suggested protective measures such as specialised training to ensure that policies, such as whistleblowing, are understood. Alexandria Walden from Google described how consultations with stakeholders could be used to identify when the product breached users’ boundaries. These assessments, according to OpenAI’s spokesperson, “feedback into tangible technical input” and “benchmark it”.
Fundamentally, understanding the rationale behind human rights is imperative, though lacking. Alexandria Walden from Google said: “Whether or not they understand human rights, they care enough to infuse it in their company… we might not always get it right, but it is something we care about.”
Where former panels discussed controls to ensure human rights are considered in the development and implementation of AI products, this panel focused on mitigation. A spokesperson from Google pointed out that technology is inevitably going to move faster, so multiple tools are needed. Companies, OpenAI’s representative noted, still encounter issues such as discrimination and free speech. Consequently, they regard this as an additional policy which companies have a structured model to deal with, but newer companies, and newer industries, haven’t learnt it yet.
In her concluding remarks, Green called for policy makers to “make the abstract actionable” at both governmental and corporate levels. She argued that, by framing the issues posed by AI as human rights issues, we gain a “foundation” for recognising AI’s many societal impacts.
Student Life
Oxford University launches Ebola vaccine trial in Uganda
Ugandan participants in a clinical safety study received an Oxford developed Ebola vaccine this week.
Researchers vaccinated the first participants on 6th October in Masaka, Uganda. The phase follows the launch of a first-in-human Phase I trial in the UK evaluating the same vaccine candidate.
They received the vaccine as part of an evaluation of the safety and efficacy of a ChAdOx-based Bundibugyo Ebola vaccine candidate developed by the Oxford Vaccine Group (OVG) and the Pandemic Sciences Institute at the University of Oxford.
Development for this vaccine began in May this year in response to the ongoing Ebola outbreak in the Democratic Republic of the Congo (DRC). The research, led by OVG’s Professor Teresa Lambe and Professor Simon Drysdale, is funded by the Coalition for Epidemic Preparedness Innovations (CEPI). No licenced vaccine for the Bundibugyo strain of Ebola virus currently exists.
In a statement to Cherwell, OVG said its involvement includes collaborating with the Ugandan research team to support “the study’s scientific design, clinical trial coordination, safety oversight, and evaluation of vaccine safety and immunogenicity”. The Phase I clinical trial addresses a rare strain of Ebola virus affecting communities in the DRC since May. The phase is a collaboration between the Medical Research Council/ Uganda Virus Research Institute and the London School of Hygiene and Tropical Medicine (LSHTM).
Dr Nicole Lurie, CEPI’s Executive Director for Emergency Preparedness and Response, told Cherwell: “It [the Bundibugyo outbreak] remains the fastest-growing and second-largest Ebola outbreak ever recorded – and we currently remain without a licensed vaccine or treatment.” The Bundibugyo Ebola epidemic in the DRC has surpassed 8,600 cases, with almost half of infections proving fatal.
The outbreak was declared a Public Health Emergency of International Concern (PHEIC) by the World Health Organisation (WHO) in May.
OVG told Cherwell: “For more than a decade, the University of Oxford has performed many clinical trials of candidate viral-vectored vaccines. Some of the most promising vaccines used a modified chimpanzee adenovirus, a harmless version of a common cold virus. The Oxford-AstraZeneca (ChAdOx1) COVID-19 vaccine was approved for emergency use in the UK in December 2020 and was estimated to have saved six million lives during 2021 alone, and over 3 billion doses were used worldwide.” The adenovirus vector vaccine technology trialled in this study was successfully used worldwide as part of the Oxford-AstraZeneca COVID-19 vaccine.
More funding is necessary to ensure the development and approval of the Ebola vaccine. Lurie told Cherwell: “Without sufficient additional funding, we are at risk of not being able to develop these promising vaccine candidates… CEPI urgently needs US$128M now to keep our Bundibugyo emergency R&D response moving. Without it, we are putting the DRC, and the world, at tremendous risk.”
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