Oxford Events
Local government devolution proposals: What is it and what will it mean for Oxfordshire?
In December 2024, the UK government unveiled plans to overhaul local government structures across England, which could have a profound impact on Oxfordshire.
These proposals, outlined in the devolution white paper, seek to streamline local governance by creating larger, more powerful unitary authorities and transferring powers to mayoral combined authorities.
As the government moves forward with these plans, Oxfordshire residents and local leaders must understand what’s at stake and how these changes might reshape the way services are delivered and decisions are made.
What is Local Government Devolution?
Devolution refers to the process by which the central government transfers decision-making powers and responsibilities to local authorities.
Under the new proposals, areas that still operate under a two-tier system of local government – where county and district councils have distinct roles – will transition to unitary councils. These single-tier local government structure would combine the functions of both county and district councils into a single, larger body.
The white paper mentions a population of around 500,000 as an appropriate size for unitaries in most areas but also highlights there may be exceptions to ensure new structures make sense for an area, including for devolution and that decisions will be on a case-by-case basis.
Additionally, the government aims to establish Strategic Authorities – a powerful new local governance model that would combine multiple councils within a region, with a directly elected mayor overseeing key decisions, from infrastructure development to economic strategy.
These will be categorised as Foundation Strategic Authorities (non-mayoral or designated local authorities) or Mayoral Strategic Authorities, with potential for further devolution through an Integrated Settlement for eligible Established Mayoral Strategic Authorities.
Preferred geographies will prioritise scale (1.5m+ population), economic alignment, contiguity, avoidance of ‘devolution islands,’ delivery efficiency, boundary alignment, and local identity. The goal is for all England to eventually have Mayoral Strategic Authorities.
Why is Oxfordshire Affected?
Oxfordshire, currently a two-tier authority, is made up of the Oxfordshire County Council and five district councils, namely Oxford City Council, Cherwell District Council, West Oxfordshire District Council, Vale of White Horse District Council and South Oxfordshire District Council.
Each council is responsible for specific services. The county council oversees services like education, highways, and social care, while district councils manage housing, waste collection, leisure, and parks.
Under the devolution proposals, the government is pushing for Oxfordshire to adopt a unitary council model, effectively merging the county and district councils into a single governing body. This would simplify local governance and could provide the county with greater influence. With a recommended population of around 500,000, this is much bigger than Oxford but smaller than Oxfordshire.
Additionally, this unitary council will be required to work collaboratively with others as part of a Strategic Authority – preferrably led by a mayor. A report by the Institute for Government published last year suggests the creation of a Thames Valley Mayoral Strategic Authority by combining unitary county authorities across Oxfordshire, Buckinghamshire and Berkshire.
Unitary Councils versus Strategic Authorities
Unitary Councils and Strategic Authorities represent two discrete layers of local government reform, with distinct roles that complement each other in delivering services and devolved powers.
Unitary Councils
- A single-tier local government structure that consolidates responsibilities currently split between county and district councils in two-tier systems.
- Directly provide local services such as housing, waste collection, social care, education, and transport.
- Streamline governance, reduce duplication, and improve efficiency by combining functions of multiple councils into one body for a defined area.
- Typically covers smaller geographic areas compared with a population of around 500,000 people.
Strategic Authorities
- Higher-level regional governance bodies established under the government’s devolution plans, often led by a mayor.
- Oversee broader, strategic issues like regional transport, economic growth, spatial planning, and large-scale infrastructure projects.
- Address challenges that span beyond individual Unitary Councils’, providing a cohesive approach to regional development and investment.
- Operates over larger geographies, often encompassing multiple Unitary Councils, with a combined population of over 1.5 million people
What’s at Stake for Oxfordshire?
Impact on Elections
One of the first significant impacts of the proposed reforms is the potential delay of local elections. Currently, Oxfordshire is due to hold county elections in May 2025. However, under the proposed model, some local leaders are considering asking the government to postpone these elections until 2026, when a new unitary council might be in place. While this could allow for smoother implementation of the new system, many worry it could undermine democracy by denying residents a say in their local governance.
Changes to Local Services
A shift to a unitary authority would consolidate various local services, which may result in both benefits and challenges. On one hand, merging services could lead to greater efficiency, cost savings, and more coordinated planning across the region. However, concerns have been raised that a larger authority may be less responsive to local needs and lead to a loss of community-level decision-making.
A Greater Role for Mayors
Another key aspect of the proposals is the creation of mayoral combined authorities. These authorities would oversee broader regions, with an elected mayor holding significant powers over areas like transport, housing, and economic development.
In Oxfordshire’s case, a proposed Thames Valley mayoral authority could unite the county with surrounding areas, like Berkshire and Buckinghamshire, to create a more powerful regional body. Supporters argue that this could lead to better investment and stronger regional coordination. However, critics warn that such a large-scale authority might become too remote from local communities.
Economic Opportunities
Proponents of the devolution proposals argue that Oxfordshire stands to benefit from a stronger local government that can negotiate with the central government on issues like funding, infrastructure, and housing. A unitary authority could streamline decision-making processes and improve local services, creating new opportunities for economic growth.
Community Representation
One of the biggest concerns about the devolution proposals is the potential loss of local representation. District councils have historically provided a closer connection to communities, and merging them into larger authorities may make it harder for residents to engage with their government.
Local leaders such as Susan Brown, leader of Oxford City Council, have expressed concern that the devolution process could create a “democratic deficit,” where communities feel disconnected from their decision-makers.
Three options on the table
The Government is considering three proposals for the future structure of local government in Oxfordshire.
The county council has backed a single unitary authority covering the whole of Oxfordshire, arguing that one council would provide a simpler structure and allow services to be delivered more efficiently.
Oxford City Council has proposed a three-unitary model, including a new “Greater Oxford” authority combining the city with surrounding areas.
The proposal has attracted criticism from opponents who have described it as a potential “land-grab”, while the city council has argued that a larger authority would help deliver housing targets and support strategic planning.
The district councils have put forward a two-authority model, creating an Oxford and Shires Council covering Cherwell, Oxford City and West Oxfordshire, alongside a Ridgeway Council covering South Oxfordshire, Vale of White Horse and West Berkshire.
What Do Local Leaders Think?
While some leaders are excited about the prospects of a stronger, more unified local authority, others, like Oxford City Council leader Susan Brown, have voiced concerns. Brown has stressed the need for a thoughtful and transparent process that prioritises the interests of local communities.
Meanwhile, leaders of the district councils, such as David Hingley of Cherwell District Council, have advocated for ongoing dialogue between councils and residents to ensure the changes are implemented in a way that preserves local connections.
A decision made
The Government announced its decision on 16 July 2026, confirming that Oxfordshire’s existing local government structure will be replaced by three new unitary authorities.
Oxfordshire County Council, Oxford City Council and the county’s district councils will be abolished, with their responsibilities transferred to the new authorities from April 2028.
The approved model will create:
- Greater Oxford Council – covering Oxford and areas currently within parts of Cherwell, South Oxfordshire and Vale of White Horse.
- North Oxfordshire Council – covering the remainder of Cherwell and West Oxfordshire.
- Ridgeway Council – covering parts of South Oxfordshire, Vale of White Horse and West Berkshire.
The Government selected the proposal submitted by Oxford City Council, rejecting alternative plans for either a single Oxfordshire-wide council or a two-authority model.
Supporters of the decision argue that the new structure will create stronger strategic planning, improve coordination and help deliver housing targets, including affordable homes.
However, the decision has faced criticism from some local leaders and residents, with concerns raised about the size of the new authorities, the potential loss of local representation and the inclusion of parts of West Berkshire.
The move will also end Oxfordshire’s current two-tier system, where responsibilities are divided between the county council and district councils. Under the new model, all local government functions will sit with the three unitary authorities.
What happens next?
The existing councils will continue to operate until April 2028, when the three new unitary authorities will formally take over.
The next major step will be elections for temporary shadow authorities in 2027. These bodies will oversee the transition process and prepare the new councils before they assume full responsibility.
During this period, work will begin on transferring services, staff, assets and responsibilities from Oxfordshire’s existing councils to the new authorities. This will include agreeing new governance arrangements, operational structures and how residents will access local services in the future.
A dedicated reorganisation programme team will manage the transition, including a director role expected to be funded through Oxfordshire County Council, with a salary range of £125,350 to £135,928.
The new authorities will also receive Government support to help cover transition costs, with each council expected to receive at least £900,000 from a £63 million national funding pot.
The coming two years will determine how the new councils operate, how services are organised and how communities will be represented under Oxfordshire’s new local government structure.
The changes will come into force in April 2028, marking the end of the county, city and district council system that has governed Oxfordshire for decades.
First published: 08 January 2025.
Last updated:
Oxford Events
Stage Watch: Fawlty Towers – The Play delivered a perfectly timed dose of comic chaos
Few British sitcoms have achieved the cultural status of Fawlty Towers. Fifty years after the original series first aired on BBC Two, John Cleese’s creation continues to occupy a special place in British comedy history. Now adapted for the stage, Fawlty Towers – The Play brings the world of Basil Fawlty’s disastrous attempts at running a seaside hotel to life with all the misplaced confidence, social embarrassment and escalating misunderstandings that audiences have loved for generations.
Having watched the original series over the years, there is always a slight hesitation when approaching a stage adaptation of such a beloved comedy. The challenge is obvious: how do you recreate the magic without simply becoming a nostalgic recreation? This production succeeds because it understands that the appeal of Fawlty Towers was never just the hotel setting or the increasingly chaotic situations — it was the wonderfully flawed characters at its centre.
For the stage adaptation, John Cleese has chosen three of his favourite original episodes — The Hotel Inspector and The Germans from series one, and Communication Problems from series two — and woven them together into a two-hour production with a new finale. The result is a show that feels familiar while still giving audiences something fresh to enjoy.
At the heart of the production is Adam Elliot, who stepped into the role of Basil Fawlty, replacing Danny Bayne. Taking on one of British comedy’s most recognisable characters is no easy task, but Elliot brings the necessary energy, frustration and barely contained panic that makes Basil such an unforgettable creation. His ability to move from overconfident hotelier to complete desperation within seconds drives much of the show’s humour.
Basil remains the perfect comic creation: a man determined to maintain the appearance of professionalism while constantly being defeated by his own impatience, arrogance and inability to accept that he is usually the source of the problem. Elliot captures that delicate balance between irritation and vulnerability that keeps audiences both laughing at and rooting for Basil.
Opposite him, Mia Austen captures Sybil Fawlty’s sharp wit and authority perfectly. Sybil has always been the one person capable of cutting through Basil’s chaos, and Austen’s performance provides the ideal balance of humour and control. Their relationship remains one of the production’s strongest elements — a constant battle of wills that keeps the comedy moving.
The supporting cast plays a crucial role in recreating the wonderfully eccentric world of the Fawlty Towers hotel. Hemi Yeroham brings Manuel’s familiar enthusiasm and confusion to the stage, delivering many of the evening’s biggest laughs. Joanne Clifton gives Polly a warmth and practicality that makes her an important anchor amid the madness, while Paul Nicholas brings charm and comic timing to the role of The Major.
The hotel’s guests and staff add another layer of brilliantly observed chaos. Greg Haiste plays Mr Hutchison/Wilhelm, Ben Jacobson takes on Mr Walt, Emily Winter appears as Miss Tibbs, Dawn Buckland plays Miss Gatsby, and John Hasler portrays Mr Thurston/Gunter, each adding their own personality to the ever-growing collection of misunderstandings. Jemma Churchill’s Mrs Richards is another standout, bringing the famously difficult guest to life with wonderful comic precision.
The staging captures the atmosphere of the original hotel with clever design choices, creating a setting where every entrance, exit and interruption becomes part of the comedy. From Basil’s frantic attempts to impress guests to the arrival of unexpected complications, the production understands that the humour comes from watching a carefully constructed plan collapse in spectacular fashion.
Set in the fictional seaside town hotel of Torquay, the production also serves as a reminder of the remarkable legacy of the original sitcom. Only 12 episodes of Fawlty Towers were ever made, yet the characters have remained firmly embedded in popular culture. The inspiration for Basil Fawlty came from a real hotel owner, Donald Sinclair, whose famously difficult behaviour fascinated Cleese when he stayed at the Gleneagles Hotel in Torquay.
What makes this stage version work is that the humour comes from character rather than simply relying on nostalgia. Fans of the television series will recognise the familiar dynamics, but the performances ensure the show remains lively and engaging rather than feeling like a museum piece.
The challenge with adapting such iconic material is that many audience members already know the rhythms, personalities and inevitable disasters waiting around the corner. However, the cast’s commitment and the production’s energy ensure that the familiar moments still feel fresh.
Ultimately, Fawlty Towers – The Play is a joyous reminder of why these characters have endured for so long. It is a carefully constructed comedy of errors filled with physical humour, excellent timing and the kind of escalating chaos that remains timeless.
For those who grew up watching the original series, it feels like a welcome return to a much-loved world. For anyone discovering Basil, Sybil, Manuel and the rest of the hotel team for the first time, it is a wonderfully entertaining introduction to one of Britain’s greatest comedy creations.
Verdict: A hugely enjoyable theatrical revival that captures the spirit of Fawlty Towers while proving that great comedy can still thrive on stage.
John Cleese’s Fawlty Towers – The Play runs at New Theatre Oxford until Saturday 18 July.
Images are from an earlier performance of Fawlty Towers – The Play, featuring Danny Bayne as Basil Fawlty and Adam Elliot as Mr Walt. Image credit: Hugo Glendinning
Oxford Events
Crazy Bear Stadhampton: a new era with refreshed spaces, theatrical dining and Afternoon Tea Feast
Crazy Bear Stadhampton, one of Oxfordshire’s most recognisable hospitality destinations, has unveiled its next chapter with refreshed spaces, new dining experiences and a food and drink offering that combines classic comfort with the venue’s distinctive sense of theatre, including a new Afternoon Tea Feast.
More than three decades after first opening its doors in Stadhampton, the boutique hotel has refreshed its menus and guest spaces while retaining the eclectic character that has made it one of the county’s most talked-about places to eat, drink and stay.
At the heart of the relaunch is a menu that combines traditional British pub favourites with the bold Thai flavours that have long been part of the Crazy Bear identity. Diners can expect everything from grilled meats and open-fire cooking to authentic wok dishes and inventive fusion plates, including rabbit pad Thai alongside garlic butter king prawns, thyme chicken thighs and seasonal garden salads.
The drinks menu has also received a creative overhaul, with a new collection of hedgerow-inspired cocktails featuring seasonal ingredients and foraged flavours. Signature serves include a Hedgerow Negroni and a Roasted Dandelion Espresso Martini, adding another theatrical touch to the dining experience.
Among the most eye-catching additions is the new Afternoon Tea Feast, a generous twist on the traditional afternoon tea. Rather than delicate tiered stands, guests are presented with a table laden with finger sandwiches, warm scones, cakes, pâtisserie-style treats and a glass of Prosecco, designed for leisurely afternoons shared with family and friends.
Served in the newly created residents’ lounge or outside in the gardens during warmer weather, the experience reflects Crazy Bear’s philosophy of replacing convention with abundance. The residents’ lounge itself has become a destination, featuring plush seating, a bespoke feasting table, vintage vinyl record player and cocktail trolley, creating an atmosphere that encourages guests to slow down and linger.
Elsewhere, the venue has introduced a cosy new pub snug adjoining its 16th-century inn, providing a quieter retreat alongside the property’s more vibrant social spaces and landscaped gardens.
The refreshed venue was officially unveiled during a summer launch celebration that showcased the hotel’s reputation for immersive entertainment. Guests enjoyed live performances from festival favourites The Cuban Brothers, comedy from Matt Richardson, Latin music and dancing, DJ sets, outdoor cinema and the opportunity to sample the new menus throughout the evening.
While the entertainment celebrated the venue’s colourful personality, the relaunch also signalled an evolution of the Crazy Bear experience, combining enhanced food and drink with carefully updated interiors designed to complement the historic Oxfordshire setting.
Founded in 1993, Crazy Bear Stadhampton has become one of Oxfordshire’s best-known boutique hospitality destinations, offering individually designed bedrooms, a historic pub, gardens, woodland and distinctive event spaces. The latest refresh aims to build on that legacy while introducing new reasons for visitors to return throughout the year.
Whether visiting for a long lunch, cocktails in the garden, an indulgent Afternoon Tea Feast or an overnight escape, the latest chapter at Crazy Bear continues to embrace the theatrical style that has helped make it one of the county’s most memorable destinations.
Oxford Events
Henley Festival 2026 highlights: Five nights of unforgettable performances and festival moments
Henley Festival 2025 highlights
Henley Festival 2026 brought five unforgettable nights of music, comedy, arts and entertainment to the banks of the Thames, with world-class performers, emerging talent and spectacular riverside celebrations creating a unique summer experience.
From headline performances on the iconic Floating Stage to late-night sets in the Festival Club, each evening offered its own memorable moments. Explore our day-by-day highlights and photo galleries capturing the atmosphere, performances and highlights from this year’s festival.
Day 1: Boy George & Culture Club open Henley Festival in spectacular style
Temperatures soared on the banks of the Thames as Henley Festival, the UK’s only black-tie music and arts festival, opened its five-night celebration with a spectacular evening of live music, comedy and culture.
Headlining the opening night on the festival’s iconic Floating Stage were the legendary Boy George & Culture Club, who delighted the sell-out audience with classic hits including Karma Chameleon and Do You Really Want to Hurt Me. The night continued in the Festival Club, where Mercury Prize-winning jazz ensemble Ezra Collective delivered a high-energy late-night performance.
Beyond the headline acts, festivalgoers enjoyed comedy from Alan Davies, live performances by Darwin and the Finches, Flash Mob Jazz and The Dominos, alongside fine dining, dancing, large-scale visual art installations, riverside sculptures and a spectacular fireworks display over the Thames.
The opening night also showcased emerging talent through the festival’s RISE programme, its charitable initiative supporting the next generation of artists. Performances included award-winning soprano Emily Wishart, jazz-pop singer-songwriter Llinos Emanuel, and Derby alt-rock band The Public Eye.












Day 2: Sugababes bring pop brilliance to the Floating Stage
Another hot and sunny evening set the scene as Henley Festival 2026 continued with a vibrant second night of music, comedy and entertainment along the Thames. Headlining the iconic Floating Stage were the Sugababes, who brought pop brilliance to the festival with a hit-filled performance featuring fan favourites including About You Now and Push the Button.
The crowd danced the night away as the acclaimed British girl group delivered a set packed with nostalgia and energy. Later, festival favourite and long-running radio DJ Jo Whiley took over the Festival Club, Pure Heaven, with a celebration of 90s anthems that kept the party going.
The evening’s programme also featured comedy from Shappi Khorsandi, alongside performances from The Mulberry Earls and returning former RISE artists Katya and Alex Francis. The festival’s RISE programme, which supports the next generation of creative talent, continued to showcase exciting emerging performers.
Day two’s RISE line-up included classical singer Josephine Shaw, indie-pop artist Emre, and Devon-based alt-rock band 3 Days of Wonder, adding to another memorable night of music and entertainment at Henley Festival.


















Day 3: Lulu and Björn Again bring classic hits to the Floating Stage
The sun continued to shine over the Thames as Henley Festival 2026 reached its third day, with another spectacular evening of music, comedy and entertainment at the UK’s only black-tie music and arts festival.
Opening the iconic Floating Stage, pop legend Lulu delighted festivalgoers with a set packed with timeless classics, including Shout, Relight My Fire, The Man with the Golden Gun and Eurovision-winning favourite Boom Bang-A-Bang. The celebrations continued with internationally acclaimed ABBA tribute band Björn Again, who brought their signature energy and disco-inspired show to the riverside audience.
The star-studded crowd included Strictly Come Dancing’s Anton Du Beke, Capital Radio’s Jordan North, broadcaster Chris Tarrant, and Sugababes’ Siobhan Donaghy, who had headlined the festival the previous evening. Comedy fans were also entertained by a performance from Russell Kane.
The evening’s emerging talent was showcased through Henley Festival’s RISE programme, supporting the next generation of musicians and visual artists. Performances came from Leila McKenzie, JG Collective, Saint Six, singer-songwriter Charlotte Campbell, indie-rock guitarist Tony Mac, and R&B artist Bruna Garcia, adding another memorable chapter to this year’s festival.















All images courtesy of photographers Garry Jones and James Robinson.
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