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Is the dancefloor really dead?

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If you’re as hyped as I am for Charli xcx’s upcoming studio album, Music, Fashion, Film, then you might have also had the jittery, robotic melody of its lead single (“now we’re making rooooooooock music”) stuck in your head for weeks. In ‘Rock Music’, Charli firmly rejects the signature electronic soundscape that took her from being the darling of critics to a mainstream icon, and makes bold statements on the place of rock and electronic music in a post-Brat world – most significantly, announcing the dancefloor to be resolutely “dead”.

Interestingly, Charli’s nightlife scepticism goes hand in hand with an ostensible rejection of electronic music and an astute embrace of rock, as though the latter cannot overlap with clubbing – it’s precisely because the dancefloor is dead that Charli says she’s “making rock music” now. Guitar-focused rock music has been definitively out of the mainstream for well over a decade, perhaps even longer. Aside from the recent rise of bands like Geese and Turnstile, rock itself has died, or at least has remained dormant for a long while. A genre which once occupied over 60% of the Billboard Hot 100 has faced a steady decline since the turn of the millennium, being slowly replaced by pop and hip-hop. As someone who grew up obsessed with rock music, from grunge to shoegaze and more, my rock playlists are dominated by older tracks, their release dates spanning from the 60s to the 90s – part nostalgia, part genuine yearning for the days when rock was as creatively fruitful as possible.

For this reason, ‘Rock Music’ is all the more interesting. It is a fascinating blend of parody and utmost sincerity – on the one hand, we see Charli grapple with the legacy of her career-defining dance record, and on the other hand, she employs a catalogue of cheesy rock tropes, from lines like “I’m really banging my head” to the sugary, optimistic, ‘let’s make a rock band!’-style spirit that you only find in film and TV. In a way, Charli tells the critics who doubted her authenticity on Brat, rock can be just as superficial. Maybe ‘Rock Music’ is best thought of as the ‘Song 2’ of the 2020s: a satire of a genre which is often contrasted against her discography, rather than seen as complementing it. Charli also sticks to her roots in terms of the song’s production, filtering her perspective on rock through the distinctive A.G. Cook and Finn Keane production that we have come to associate her with. She has one foot in the door of rock and one in the door of electropop, refusing to commit to either side, and it is much to her advantage.

Just as quickly as she soared to electropop stardom, Charli abandoned her ‘365 party girl’ image to embrace a rock edge, bearing her influences proudly (namely, The Velvet Underground). She is inevitably reacting to her newfound fame and the anxieties that accompany it, but her reinvention also reflects the state of nightlife in the mid-2020s, which she declares to be “dead”. In Oxford, however, there does seem to be a place for rock music on the dancefloor – Indie Fridays continues to be massively popular, along with Boogaloo and other regular fixtures. But Charli’s statement may nevertheless ring true. Could Oxford nightlife do with better music? Most certainly. For me, the number one factor that puts me off clubbing in this city is how dire the music can be. My apologies, but I never want to hear ABBA or the same old Y2K playlist again. My ideal club night would either have a stacked lineup of student DJs, spinning anything from acid house to jungle, or it would simply be an all-night Future marathon – like a sleeper agent, I’m suddenly awake and alert when I hear the words “I’m on that good kush and alcohol…”

Nightlife discourse continues to circulate social media circles of the 2020s, thanks to shifting patterns and trends, partly fuelled by Charli herself. It would be a lie to claim that Brat did not bring electronic music into the mainstream, after a 2010s dominated by trap at one extreme, and Lana Del Rey-esque ‘sad girl’ pop at the other. Complete with a hyperpop flair, Brat and its various club anthems prompted renewed interest in partying and raving, as well as in the production of electronic music – think back to that viral episode of the Tape Notes podcast, in which Charli breaks down the Logic session of ‘Club Classics’. Even I now own the Pioneer DDJ FLX-4, the standard DJ decks for any performative cool kid.

Statistically, young people are going out less, and are also drinking less alcohol. But while this is often chalked up to ‘the damn phones’, or the pursuit of a clean-girl lifestyle, there are much larger structural factors at play. The dancefloor as a physical space might not be in rigor mortis just yet, but it is dying. In Oxford alone, at least 11 nightlife venues have closed in the last two decades. Only we true Oxford oldheads, in our third years and above, will remember the days when Park End was at Atik, or when Intrusion, Oxford’s goth night, was held at Kiss Bar. This pattern is repeated in almost every part of the country, and contributes significantly to the general feeling amongst Gen Z that nightlife is in fact on its last legs. Even on an individual level, can you afford to spend upwards of £8 on a single spirit and mixer at a club? From drinks and Ubers to club tickets and post-club Hussain’s, the cost of a night out is becoming increasingly extortionate, and presents a material barrier to the formation of community, identity, and a great experience. Sure, you could go to an underground, illegal rave, but who’s paying for the decks? The sound system? The legal fees when the fun is shut down?

Naturally, I write as a student and for students, who, by and large, do not have infinite funds to invest in a spectacular clubbing experience. I highly doubt that the economic burden of nightlife on the consumer is a significant problem for Charli, or any other celebrity of her stature, many of whom have responded negatively to the bold statements made in ‘Rock Music’ – her feelings seem to be fuelled in large part by her ruminations on what it means to be cool. Likewise, while I may be inclined to agree that the dancefloor is “dead”, my perspective is certainly skewed as a third-year with an exam-ridden friend group, for whom the Radcam has become the default third space. Tongue-in-cheek as it may be, Charli xcx’s ‘Rock Music’ speaks to the structural issues actively decimating nightlife across the world, issues she addresses candidly on its follow-up, ‘SS26’, even if her motivations may be more aesthetic than political.





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St Edmund Hall unveils new eco-friendly accommodation 

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St Edmund Hall has opened new, sustainability-focused accommodation in Norham Gardens, one of Oxford’s most affluent neighbourhoods.

 The College describes the buildings, which took three years to construct, as an “exemplar” of sustainability. Designed by architects Wright & Wright LLP, they are certified with a Passivhaus standard, widely regarded as the industry benchmark for energy efficiency, and were built using “sustainably sourced and low-embodied carbon materials”. According to a press release on the Teddy Hall website, the buildings will use 70% less energy than the typical modern building. 

It contains 127 en-suite study rooms, split across three new buildings: Willis House, Ashton House, and Elliott House, on the nearly 50-year-old Norham St Edmund site. The buildings, which back onto University Parks, are powered at least in part by solar panels and are heated by air-source heat pumps. 

The rooms include heated towel racks, big double beds, and dimmable lights. Despite the luxury, the College kept the nightly rate in line with the rest of its Norham housing. The College told Cherwell that it “recognises the need to keep rents as low as possible” and that its accommodation costs are “below the median of all Oxford colleges”. By that standard, tenants are expected to pay around £30 a night. 

Rooms on the site will be reserved for Teddy Hall returning undergraduates. They will not be available to postgraduates and, by extension, not be offered through the Oxford University Collegiate Accommodation System, now in its second year of opening college rooms to students from other colleges. The accommodation will allow Teddy Hall to accommodate all undergraduates for their whole degree. 

The development’s outdoor spaces are boasted as climate-resilient and biodiverse, with landscaped gardens and lawns. For budding geographers and biologists, the most intriguing feature may be an ecology pond. 

Chancellor William Hague said in a press release: “Norham St Edmund is a world-leading blueprint for future student accommodation projects and sustainable building design, both in Oxford and beyond. I look forward to seeing it serve a thriving college community for generations to come.



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Summit calls for human rights safeguards on AI

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Human rights experts called for stronger legal protections against the risks posed by artificial intelligence (AI) at an Oxford AI and Human Rights Summit, with speakers arguing that human rights standards must be embedded into AI governance and technology. 

The summit was hosted at the newly redeveloped Rhodes House in Oxford and organised by the Institute for Ethics in AI. It built upon Professor Yuval Shany’s consultation on a white paper, published in 2025, on the need for and feasibility of an international AI Bill of Human Rights, which proposes ways to adapt existing human rights standards so as to better address some of the unique challenges posed by AI systems and their uses. 

An opening video address from the United Nations High Commissioner for Human Rights Volker Türk outlined how AI policy can keep pace with a fast-developing technology. He said that “great power demands responsibility on the same scale, and when the two don’t match, we have a problem”. Corporate control, he explained, means that AI policy stretches beyond existing national borders. He continued to praise this summit for bringing together leaders and representatives at the forefront of the discussion.

 Speakers called on the UK government to establish legislation, recalling Labour’s manifesto commitment to an AI Bill of Human Rights. The panellists broadly agreed on the importance of human rights, but appeared less aligned on what enforcement should look like in practice.

 In an exclusive interview, Michael O’Flaherty, the Council of Europe’s Commissioner for Human Rights, told Cherwell that political short-termism Continued on pg. 2 risks undermining efforts to address the long-term consequences of AI. “We are infected across our societies with shorttermist responses to the great issue of our societies and politics,” he said, adding that electoral cycles make it difficult for politicians “to think beyond the next election”. 

O’Flaherty also noted that younger generations no longer take the international human rights system for granted. “There is no longer an assumption that the human rights system is safe, that it will survive,” he told Cherwell. He argued that political leaders increasingly treat human rights selectively, saying: “Increasingly, leaders are treating human rights, if they are respected at all, as an a la carte buffet. We take those rights because they serve our goal. We’ll ignore others because they get in the way.

The summit also heard concerns about the effects of AI-generated misinformation on communities that may have limited access to, or awareness of, the technology itself. An audience question asked human rights experts to consider the impacts of AI on populations, such as those in India, who might be unaware of its existence. The focus on the impact of AI on populations in developing countries more vulnerable to the power of big tech was a key theme of the summit. 

Eileen Carter from the South African Human Rights Commission warned that underrepresentation of African languages in large language models could exacerbate existing inequalities. She also raised concerns about the effects of misinformation and deepfakes on elections, referring to more than 360 deaths associated with unrest and the amplification of narratives. 

The third panel, which offered a civil society perspective on promoting human rights in AI systems, offered some hope. Across all speakers, the potential for AI to transform the beliefs that underpin human rights, including the rights to water, education, and an interpreter, was debated. When asked about AI’s potential to unravel and alter the definition of human rights, such as what is included in the ‘right to education’ O’Flaherty told Cherwell: “The damage that can be done by AI has hit more dramatically and more visibly than perhaps any other sector within education through the phenomenon of cognitive loss, of cognitive transfer. We’re only beginning to realise the extent to which we have allowed education to be fundamentally undermined for an entire generation. 

“It’s time to seize that now and engage it. I’m not sure that the classic understanding of the human right to education is particularly well-framed for this extraordinary development.”

 In a discussion on different countries’ regulatory approach to AI, Suresh Venkatasubramanian, professor at Brown University and former AI advisor to US President Joe Biden, argued that AI systems should not be treated as inevitable developments beyond human control. “We continue, I think, to talk about AI as a thing that emerged out of nowhere that we just have to deal with,” he said. “We forget that these aren’t coming from an alien planet and they were built by entities that choose to build them in a certain way.” He called for pressure on technology companies to make different choices about how AI systems are developed. 

Questions of accountability also emerged during discussions about AI’s potential to improve access to justice. Research presented by Philippa Webb said that only 10% of people who have access to a lawyer can get one while there are thousands of bookings for an interpreter in a court covering 150 languages. However, this progress is not cemented as “general-purpose chatbots hallucinate 58% of the time on a legal task”. The use of AI in moderating legal proceedings raised fundamental questions about humanity and authority. Thompson Chengeta from Liverpool John Moores University said that “human rights is the last line of defence so when we say we want a human rights based governance… human rights is not an idea, it is an obligation. There is a gap that can only be recovered by a legally binding instrument”.

The event culminated in a panel offering an industry perspective. Co-host Dr Caroline Emmer De Albuquerque Green questioned representatives from Meta, Google, Microsoft, and OpenAI. Michael Karimian, who works in digital diplomacy at Microsoft, discussed the role of private sectors in engaging with AI, defining corporate responsibility as something which “provides transparency and identified risks”. 

All companies supported having formal programmes to ensure that they have an AI policy in place. Within their own companies, they suggested protective measures such as specialised training to ensure that policies, such as whistleblowing, are understood. Alexandria Walden from Google described how consultations with stakeholders could be used to identify when the product breached users’ boundaries. These assessments, according to OpenAI’s spokesperson, “feedback into tangible technical input” and “benchmark it”.

Fundamentally, understanding the rationale behind human rights is imperative, though lacking. Alexandria Walden from Google said: “Whether or not they understand human rights, they care enough to infuse it in their company… we might not always get it right, but it is something we care about.” 

Where former panels discussed controls to ensure human rights are considered in the development and implementation of AI products, this panel focused on mitigation. A spokesperson from Google pointed out that technology is inevitably going to move faster, so multiple tools are needed. Companies, OpenAI’s representative noted, still encounter issues such as discrimination and free speech. Consequently, they regard this as an additional policy which companies have a structured model to deal with, but newer companies, and newer industries, haven’t learnt it yet. 

In her concluding remarks, Green called for policy makers to “make the abstract actionable” at both governmental and corporate levels. She argued that, by framing the issues posed by AI as human rights issues, we gain a “foundation” for recognising AI’s many societal impacts.



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Oxford University launches Ebola vaccine trial in Uganda

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Ugandan participants in a clinical safety study received an Oxford developed Ebola vaccine this week. 

Researchers vaccinated the first participants on 6th October in Masaka, Uganda. The phase follows the launch of a first-in-human Phase I trial in the UK evaluating the same vaccine candidate. 

They received the vaccine as part of an evaluation of the safety and efficacy of a ChAdOx-based Bundibugyo Ebola vaccine candidate developed by the Oxford Vaccine Group (OVG) and the Pandemic Sciences Institute at the University of Oxford. 

Development for this vaccine began in May this year in response to the ongoing Ebola outbreak in the Democratic Republic of the Congo (DRC). The research, led by OVG’s Professor Teresa Lambe and Professor Simon Drysdale, is funded by the Coalition for Epidemic Preparedness Innovations (CEPI). No licenced vaccine for the Bundibugyo strain of Ebola virus currently exists. 

In a statement to Cherwell, OVG said its involvement includes collaborating with the Ugandan research team to support “the study’s scientific design, clinical trial coordination, safety oversight, and evaluation of vaccine safety and immunogenicity”. The Phase I clinical trial addresses a rare strain of Ebola virus affecting communities in the DRC since May. The phase is a collaboration between the Medical Research Council/ Uganda Virus Research Institute and the London School of Hygiene and Tropical Medicine (LSHTM). 

Dr Nicole Lurie, CEPI’s Executive Director for Emergency Preparedness and Response, told Cherwell: “It [the Bundibugyo outbreak] remains the fastest-growing and second-largest Ebola outbreak ever recorded – and we currently remain without a licensed vaccine or treatment.” The Bundibugyo Ebola epidemic in the DRC has surpassed 8,600 cases, with almost half of infections proving fatal. 

The outbreak was declared a Public Health Emergency of International Concern (PHEIC) by the World Health Organisation (WHO) in May. 

OVG told Cherwell: “For more than a decade, the University of Oxford has performed many clinical trials of candidate viral-vectored vaccines. Some of the most promising vaccines used a modified chimpanzee adenovirus, a harmless version of a common cold virus. The Oxford-AstraZeneca (ChAdOx1) COVID-19 vaccine was approved for emergency use in the UK in December 2020 and was estimated to have saved six million lives during 2021 alone, and over 3 billion doses were used worldwide.” The adenovirus vector vaccine technology trialled in this study was successfully used worldwide as part of the Oxford-AstraZeneca COVID-19 vaccine. 

More funding is necessary to ensure the development and approval of the Ebola vaccine. Lurie told Cherwell: “Without sufficient additional funding, we are at risk of not being able to develop these promising vaccine candidates… CEPI urgently needs US$128M now to keep our Bundibugyo emergency R&D response moving. Without it, we are putting the DRC, and the world, at tremendous risk.”



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