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In sickness, health, and wrongdoing: ‘The Drama’ in review

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CW: Gun violence.

“What’s the worst thing you’ve ever done?” is the driving question of Kristoffer Borgli’s The Drama. The film centres around a couple whose otherwise perfect relationship is abruptly destabilised by the revelation of a shocking piece of information, mere days before their wedding. Simultaneously thoroughly thought-provoking, highly tense, and remarkably funny, it deals with issues of judgment and redemption, and has consequently fostered substantial debate and discussion.

It makes sense, then, that when I first heard about The Drama a few months ago, it was because my social media feed was suddenly flooded with discussion of the film’s ‘twist’, with people calling it shocking, controversial, and even problematic, although nowhere could I find exactly what this twist was. This mystery, aided by an innovative marketing campaign – most notably a wedding announcement in a real-life Boston newspaper – and the appeal of its A-list leads, had me curious and more than a little excited when I sat down to watch this film in my local cinema. 

With the film labelled a romantic comedy, the opening scene certainly lives up to that. An awkward yet endearing meet-cute at a coffee shop sees Charlie (Robert Pattinson) approach Emma (Zendaya), pretending to have read the book she is engrossed in. He becomes increasingly more embarrassed as she appears to resolutely ignore him, but as it happens, she simply can’t hear him, being deaf in one ear and listening to music in the other. Once he succeeds in getting her attention, sparks begin to fly, and we’re presented with a short montage detailing the next stages of their love story. In these first few scenes, the film does an excellent job of getting you to connect with these characters in such a short space of time. You know you want to root for Charlie and Emma; yet at only the 15-minute mark, you do wonder where the story is taking them next. Where does the titular ‘drama’ come into this picture of expected marital happiness? 

This is where the promised ‘twist’ comes in. Charlie and Emma are taste-testing wines while deciding on a wedding menu with their best man and maid of honour, when the four of them take it in turns to confess the worst thing they’ve ever done. The first three answers are a little disquieting, but none prompt any real moral outrage from the other characters. Finally, Emma confesses that, as a teenager, she planned and intended to carry out a school shooting. What’s more, her partial deafness stems not from birth, as she had previously claimed, but from holding a rifle too close to her ear when practising with it. The bulk of the film deals with the fallout, and indeed the drama, of this confession, finally exploding in a chaotic and messy wedding that perfectly demonstrates the aptness of the title. 

For a film that grapples with morally complex ideas and centres around a particularly contentious topic, it may seem odd to point to comedy as one of its strengths. Nonetheless, what stood out most to me about The Drama was precisely its funny moments. The humour is most successful at its bleakest, one highlight being the exquisite dark comedy of an ebullient wedding photographer telling the couple – both clearly still reeling from the revelation – about the schedule for “shooting” photos. The line “shooting grandparents TBD” is hilarious in its absurdity. Likewise, the repeated anticlimax of a younger Emma trying to film a video manifesto with complete seriousness – not to mention decked out in all-black clothing and posing with her rifle – being persistently interrupted by mundane computer alerts makes for particularly comical, if also distinctly uncomfortable, viewing. 

This is not to say that The Drama makes light of gun violence. Instead, it deals with relevant questions about morality in an intriguing and insightful way. It is a strikingly nuanced take on a familiar question: can people who have done bad things change? The decision to use a planned school shooting to interrogate this idea is interesting, since it is one of those acts that is often viewed in black-and-white terms. It is difficult to conceive of someone who has gone as far as to plan one out as a ‘good person’, no matter how much personal growth they have undergone since.

The film acknowledges the complexity of this issue, with Emma’s confession receiving much worse reactions than the others, despite the fact that she is the only one who has not actually carried out her ‘worst action’. Rachel (Alana Haim), for one, admits to locking a child with learning difficulties in a closet for at least a day. Regardless of which is actually morally worse, Emma’s planned act is viewed as inherently more appalling due to the greater significance school shootings have assumed, particularly in recent decades, within our moral landscape. Borgli further complicates the moral question by having Emma back out from her plan, not due to any virtuous change of heart, but simply because another shooting occurs before she can carry out her own. Her road-to-Damascus moment soon follows, yet we are given the impression that, if not for circumstances outside of her control, she would have done it, and we are forced to consider whether this is as bad as actually going through with it.

Above all, with Norwegian Borgli as director, The Drama offers a European perspective on what has come to be seen as a distinctly American problem. It is fundamental to the narrative that Charlie is English – having grown up in a country with strict gun laws, he struggles to understand Emma’s reasoning, attempting to rationalise her actions by blaming American society’s attitudes to guns, a perspective that I found myself readily able to sympathise with. At one point, Rachel scornfully asks him whether he thinks America is to blame for Emma’s planned shooting, and although he denies it, the answer the narrative gives is, at least in part, yes. This is hinted at later on in the film in a brief but unsettling moment, where Charlie off-handedly points out that there was a mass shooting the other day, simply to reassure Emma when she overhears two guests discussing shootings at the wedding. In just a few lines, Borgli is able to touch on a wider truth about American society – gun violence does occur nearly every day, to the point that it can be mentioned in such a casual manner. There is no overt pro-gun control argument in the film, and yet it makes a point of illustrating how gun violence is a problem that is not just individual but societal. 

The Drama is a film defined by second chances. It opens with Emma giving Charlie the chance to re-introduce himself after a clumsy first attempt, and ends with both of them giving each other a second chance in a poignant scene reminiscent of the opening: they re-introduce themselves, signalling a fresh start, leaving both of their mistakes and wrongdoings firmly in the past. The questions raised about whether redemption is possible are answered staunchly in the affirmative by such an ending.
By no means a perfect film, The Drama is nonetheless a captivating watch that more than delivers on the promised drama, chaos, and mayhem throughout. It doesn’t always get the balance right – there are moments where the school shooting seems more a plot device than anything else – and yet its happy resolution makes a thought-provoking contribution to discussions around personal growth and morality.

The post In sickness, health, and wrongdoing: ‘The Drama’ in review appeared first on Cherwell.





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St Edmund Hall unveils new eco-friendly accommodation 

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St Edmund Hall has opened new, sustainability-focused accommodation in Norham Gardens, one of Oxford’s most affluent neighbourhoods.

 The College describes the buildings, which took three years to construct, as an “exemplar” of sustainability. Designed by architects Wright & Wright LLP, they are certified with a Passivhaus standard, widely regarded as the industry benchmark for energy efficiency, and were built using “sustainably sourced and low-embodied carbon materials”. According to a press release on the Teddy Hall website, the buildings will use 70% less energy than the typical modern building. 

It contains 127 en-suite study rooms, split across three new buildings: Willis House, Ashton House, and Elliott House, on the nearly 50-year-old Norham St Edmund site. The buildings, which back onto University Parks, are powered at least in part by solar panels and are heated by air-source heat pumps. 

The rooms include heated towel racks, big double beds, and dimmable lights. Despite the luxury, the College kept the nightly rate in line with the rest of its Norham housing. The College told Cherwell that it “recognises the need to keep rents as low as possible” and that its accommodation costs are “below the median of all Oxford colleges”. By that standard, tenants are expected to pay around £30 a night. 

Rooms on the site will be reserved for Teddy Hall returning undergraduates. They will not be available to postgraduates and, by extension, not be offered through the Oxford University Collegiate Accommodation System, now in its second year of opening college rooms to students from other colleges. The accommodation will allow Teddy Hall to accommodate all undergraduates for their whole degree. 

The development’s outdoor spaces are boasted as climate-resilient and biodiverse, with landscaped gardens and lawns. For budding geographers and biologists, the most intriguing feature may be an ecology pond. 

Chancellor William Hague said in a press release: “Norham St Edmund is a world-leading blueprint for future student accommodation projects and sustainable building design, both in Oxford and beyond. I look forward to seeing it serve a thriving college community for generations to come.



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Summit calls for human rights safeguards on AI

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Human rights experts called for stronger legal protections against the risks posed by artificial intelligence (AI) at an Oxford AI and Human Rights Summit, with speakers arguing that human rights standards must be embedded into AI governance and technology. 

The summit was hosted at the newly redeveloped Rhodes House in Oxford and organised by the Institute for Ethics in AI. It built upon Professor Yuval Shany’s consultation on a white paper, published in 2025, on the need for and feasibility of an international AI Bill of Human Rights, which proposes ways to adapt existing human rights standards so as to better address some of the unique challenges posed by AI systems and their uses. 

An opening video address from the United Nations High Commissioner for Human Rights Volker Türk outlined how AI policy can keep pace with a fast-developing technology. He said that “great power demands responsibility on the same scale, and when the two don’t match, we have a problem”. Corporate control, he explained, means that AI policy stretches beyond existing national borders. He continued to praise this summit for bringing together leaders and representatives at the forefront of the discussion.

 Speakers called on the UK government to establish legislation, recalling Labour’s manifesto commitment to an AI Bill of Human Rights. The panellists broadly agreed on the importance of human rights, but appeared less aligned on what enforcement should look like in practice.

 In an exclusive interview, Michael O’Flaherty, the Council of Europe’s Commissioner for Human Rights, told Cherwell that political short-termism Continued on pg. 2 risks undermining efforts to address the long-term consequences of AI. “We are infected across our societies with shorttermist responses to the great issue of our societies and politics,” he said, adding that electoral cycles make it difficult for politicians “to think beyond the next election”. 

O’Flaherty also noted that younger generations no longer take the international human rights system for granted. “There is no longer an assumption that the human rights system is safe, that it will survive,” he told Cherwell. He argued that political leaders increasingly treat human rights selectively, saying: “Increasingly, leaders are treating human rights, if they are respected at all, as an a la carte buffet. We take those rights because they serve our goal. We’ll ignore others because they get in the way.

The summit also heard concerns about the effects of AI-generated misinformation on communities that may have limited access to, or awareness of, the technology itself. An audience question asked human rights experts to consider the impacts of AI on populations, such as those in India, who might be unaware of its existence. The focus on the impact of AI on populations in developing countries more vulnerable to the power of big tech was a key theme of the summit. 

Eileen Carter from the South African Human Rights Commission warned that underrepresentation of African languages in large language models could exacerbate existing inequalities. She also raised concerns about the effects of misinformation and deepfakes on elections, referring to more than 360 deaths associated with unrest and the amplification of narratives. 

The third panel, which offered a civil society perspective on promoting human rights in AI systems, offered some hope. Across all speakers, the potential for AI to transform the beliefs that underpin human rights, including the rights to water, education, and an interpreter, was debated. When asked about AI’s potential to unravel and alter the definition of human rights, such as what is included in the ‘right to education’ O’Flaherty told Cherwell: “The damage that can be done by AI has hit more dramatically and more visibly than perhaps any other sector within education through the phenomenon of cognitive loss, of cognitive transfer. We’re only beginning to realise the extent to which we have allowed education to be fundamentally undermined for an entire generation. 

“It’s time to seize that now and engage it. I’m not sure that the classic understanding of the human right to education is particularly well-framed for this extraordinary development.”

 In a discussion on different countries’ regulatory approach to AI, Suresh Venkatasubramanian, professor at Brown University and former AI advisor to US President Joe Biden, argued that AI systems should not be treated as inevitable developments beyond human control. “We continue, I think, to talk about AI as a thing that emerged out of nowhere that we just have to deal with,” he said. “We forget that these aren’t coming from an alien planet and they were built by entities that choose to build them in a certain way.” He called for pressure on technology companies to make different choices about how AI systems are developed. 

Questions of accountability also emerged during discussions about AI’s potential to improve access to justice. Research presented by Philippa Webb said that only 10% of people who have access to a lawyer can get one while there are thousands of bookings for an interpreter in a court covering 150 languages. However, this progress is not cemented as “general-purpose chatbots hallucinate 58% of the time on a legal task”. The use of AI in moderating legal proceedings raised fundamental questions about humanity and authority. Thompson Chengeta from Liverpool John Moores University said that “human rights is the last line of defence so when we say we want a human rights based governance… human rights is not an idea, it is an obligation. There is a gap that can only be recovered by a legally binding instrument”.

The event culminated in a panel offering an industry perspective. Co-host Dr Caroline Emmer De Albuquerque Green questioned representatives from Meta, Google, Microsoft, and OpenAI. Michael Karimian, who works in digital diplomacy at Microsoft, discussed the role of private sectors in engaging with AI, defining corporate responsibility as something which “provides transparency and identified risks”. 

All companies supported having formal programmes to ensure that they have an AI policy in place. Within their own companies, they suggested protective measures such as specialised training to ensure that policies, such as whistleblowing, are understood. Alexandria Walden from Google described how consultations with stakeholders could be used to identify when the product breached users’ boundaries. These assessments, according to OpenAI’s spokesperson, “feedback into tangible technical input” and “benchmark it”.

Fundamentally, understanding the rationale behind human rights is imperative, though lacking. Alexandria Walden from Google said: “Whether or not they understand human rights, they care enough to infuse it in their company… we might not always get it right, but it is something we care about.” 

Where former panels discussed controls to ensure human rights are considered in the development and implementation of AI products, this panel focused on mitigation. A spokesperson from Google pointed out that technology is inevitably going to move faster, so multiple tools are needed. Companies, OpenAI’s representative noted, still encounter issues such as discrimination and free speech. Consequently, they regard this as an additional policy which companies have a structured model to deal with, but newer companies, and newer industries, haven’t learnt it yet. 

In her concluding remarks, Green called for policy makers to “make the abstract actionable” at both governmental and corporate levels. She argued that, by framing the issues posed by AI as human rights issues, we gain a “foundation” for recognising AI’s many societal impacts.



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Oxford University launches Ebola vaccine trial in Uganda

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Ugandan participants in a clinical safety study received an Oxford developed Ebola vaccine this week. 

Researchers vaccinated the first participants on 6th October in Masaka, Uganda. The phase follows the launch of a first-in-human Phase I trial in the UK evaluating the same vaccine candidate. 

They received the vaccine as part of an evaluation of the safety and efficacy of a ChAdOx-based Bundibugyo Ebola vaccine candidate developed by the Oxford Vaccine Group (OVG) and the Pandemic Sciences Institute at the University of Oxford. 

Development for this vaccine began in May this year in response to the ongoing Ebola outbreak in the Democratic Republic of the Congo (DRC). The research, led by OVG’s Professor Teresa Lambe and Professor Simon Drysdale, is funded by the Coalition for Epidemic Preparedness Innovations (CEPI). No licenced vaccine for the Bundibugyo strain of Ebola virus currently exists. 

In a statement to Cherwell, OVG said its involvement includes collaborating with the Ugandan research team to support “the study’s scientific design, clinical trial coordination, safety oversight, and evaluation of vaccine safety and immunogenicity”. The Phase I clinical trial addresses a rare strain of Ebola virus affecting communities in the DRC since May. The phase is a collaboration between the Medical Research Council/ Uganda Virus Research Institute and the London School of Hygiene and Tropical Medicine (LSHTM). 

Dr Nicole Lurie, CEPI’s Executive Director for Emergency Preparedness and Response, told Cherwell: “It [the Bundibugyo outbreak] remains the fastest-growing and second-largest Ebola outbreak ever recorded – and we currently remain without a licensed vaccine or treatment.” The Bundibugyo Ebola epidemic in the DRC has surpassed 8,600 cases, with almost half of infections proving fatal. 

The outbreak was declared a Public Health Emergency of International Concern (PHEIC) by the World Health Organisation (WHO) in May. 

OVG told Cherwell: “For more than a decade, the University of Oxford has performed many clinical trials of candidate viral-vectored vaccines. Some of the most promising vaccines used a modified chimpanzee adenovirus, a harmless version of a common cold virus. The Oxford-AstraZeneca (ChAdOx1) COVID-19 vaccine was approved for emergency use in the UK in December 2020 and was estimated to have saved six million lives during 2021 alone, and over 3 billion doses were used worldwide.” The adenovirus vector vaccine technology trialled in this study was successfully used worldwide as part of the Oxford-AstraZeneca COVID-19 vaccine. 

More funding is necessary to ensure the development and approval of the Ebola vaccine. Lurie told Cherwell: “Without sufficient additional funding, we are at risk of not being able to develop these promising vaccine candidates… CEPI urgently needs US$128M now to keep our Bundibugyo emergency R&D response moving. Without it, we are putting the DRC, and the world, at tremendous risk.”



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