Student Life
Second Oxfordshire Patriots protest this term met with counterprotesters
The Oxfordshire Patriots held a demonstration last Saturday in the city centre outside the Oxfordshire County Council offices. They were met by counter-protestors from Oxford Stand Up To Racism (OSUTR).
Speaking to Cherwell, Oxfordshire Patriots organiser Aiden Noble referred to the revelation in January that the County Council had spent £15,500 on removing illegally displayed Union Jack flags as a reason for the demonstration. He called on the Council to “work with us [those displaying flags]. Reach some compromise and allow us to at least fly our flag somewhere”.
The demonstration began at around 11am, with the last counter-protestors leaving at around 1.15pm and the Oxfordshire Patriots leaving soon after. The protestors stood on New Road facing the Council offices, with counter-protestors appearing on the other side. A couple of counter-protestors could be seen crossing the road to talk to individuals near the right-wing demonstration. Around seven police officers were on the scene, accompanied by two police vans.
Asked by Cherwell if they had had any interactions with members of the Oxfordshire Patriots, the OUSTR organiser said they “don’t debate with fascists”. In a comment to Cherwell after the demonstration, OUSTR told us they “do not accept fascism has a place in mainstream debate…history has shown that fascism has to be stopped at the earliest time”.
The organiser for Stand Up to Racism described the Oxfordshire Patriots as following “Tommy Robinson’s line most of the time”, referring to far-right anti-Islam activist Stephen Yaxley-Lennon, who co-founded the English Defence League under the name Tommy Robinson. The organiser linked the Oxfordshire Patriots to Yaxley-Lennon’s ‘Unite the Kingdom’ march in London in September 2025. In a comment after the protest, the Oxfordshire Patriots to Cherwell: “We do not work with any big-name organisations…we are an independent group with our own voice. While there may be others who share similar values and opinions, that does not mean we are affiliated or working together.”
Mr Noble accused those counterprotesting of “painting everyone with the same brush”. Referencing a post by an anti-fascist Instagram account, Oxford Resists, accusing Oxfordshire Patriots of working with neo-Nazis, Noble told Cherwell: “Everyone’s entitled to free speech, whatever you believe. I don’t believe Nazis seem very good, however, some of our views are the same…I don’t agree with everything they say.” Following the protest, the Oxfordshire Patriots told Cherwell: “We do not support harm towards anyone.”
Asked about a Reform UK logo displayed at the protest, Aiden Noble told Cherwell that whilst he personally supported Restore Britain, a party recently set up by former Reform MP for Great Yarmouth, Rupert Lowe, “the realistic option is Reform.” He added: “I don’t think [Nigel] Farage has got it in him if you want my God-honest truth, but it’s our only realistic option for the moment.” The OSUTR organiser said he was “not surprised” to see the logo, and said “Reform enables these people – the rhetoric of Reform”, even if the party “don’t want them” to join as party members. Reform UK Oxfordshire were contacted for comment.
Multiple Union Jack flags were also displayed by Oxfordshire Patriots, with Noble describing them as a symbol of “pride” and “unity” and urging the council to spend the money used for removing flags on tackling homelessness or repairing roads. However, speaking to Cherwell, an organiser for Stand Up to Racism claimed their movement was “nothing to do with flags” and was instead a “racist street movement where they can intimidate people”.
OUSTR recently organised a petition calling for those illegally displaying flags to be ordered to pay the cost of their replacement, which received almost 500 signatures. Their call was echoed by Liberal Democrat MP for Didcot and Wantage, Olly Glover, who said this weekend that “the cost of removing flags, or anything else, attached to public property without permission, should be paid by those responsible for putting them up – not the taxpayer”.
The demonstration followed a similar protest and counter-protest on Bonn Square a week earlier.
Student Life
In sickness, health, and wrongdoing: ‘The Drama’ in review
CW: Gun violence.
“What’s the worst thing you’ve ever done?” is the driving question of Kristoffer Borgli’s The Drama. The film centres around a couple whose otherwise perfect relationship is abruptly destabilised by the revelation of a shocking piece of information, mere days before their wedding. Simultaneously thoroughly thought-provoking, highly tense, and remarkably funny, it deals with issues of judgment and redemption, and has consequently fostered substantial debate and discussion.
It makes sense, then, that when I first heard about The Drama a few months ago, it was because my social media feed was suddenly flooded with discussion of the film’s ‘twist’, with people calling it shocking, controversial, and even problematic, although nowhere could I find exactly what this twist was. This mystery, aided by an innovative marketing campaign – most notably a wedding announcement in a real-life Boston newspaper – and the appeal of its A-list leads, had me curious and more than a little excited when I sat down to watch this film in my local cinema.
With the film labelled a romantic comedy, the opening scene certainly lives up to that. An awkward yet endearing meet-cute at a coffee shop sees Charlie (Robert Pattinson) approach Emma (Zendaya), pretending to have read the book she is engrossed in. He becomes increasingly more embarrassed as she appears to resolutely ignore him, but as it happens, she simply can’t hear him, being deaf in one ear and listening to music in the other. Once he succeeds in getting her attention, sparks begin to fly, and we’re presented with a short montage detailing the next stages of their love story. In these first few scenes, the film does an excellent job of getting you to connect with these characters in such a short space of time. You know you want to root for Charlie and Emma; yet at only the 15-minute mark, you do wonder where the story is taking them next. Where does the titular ‘drama’ come into this picture of expected marital happiness?
This is where the promised ‘twist’ comes in. Charlie and Emma are taste-testing wines while deciding on a wedding menu with their best man and maid of honour, when the four of them take it in turns to confess the worst thing they’ve ever done. The first three answers are a little disquieting, but none prompt any real moral outrage from the other characters. Finally, Emma confesses that, as a teenager, she planned and intended to carry out a school shooting. What’s more, her partial deafness stems not from birth, as she had previously claimed, but from holding a rifle too close to her ear when practising with it. The bulk of the film deals with the fallout, and indeed the drama, of this confession, finally exploding in a chaotic and messy wedding that perfectly demonstrates the aptness of the title.
For a film that grapples with morally complex ideas and centres around a particularly contentious topic, it may seem odd to point to comedy as one of its strengths. Nonetheless, what stood out most to me about The Drama was precisely its funny moments. The humour is most successful at its bleakest, one highlight being the exquisite dark comedy of an ebullient wedding photographer telling the couple – both clearly still reeling from the revelation – about the schedule for “shooting” photos. The line “shooting grandparents TBD” is hilarious in its absurdity. Likewise, the repeated anticlimax of a younger Emma trying to film a video manifesto with complete seriousness – not to mention decked out in all-black clothing and posing with her rifle – being persistently interrupted by mundane computer alerts makes for particularly comical, if also distinctly uncomfortable, viewing.
This is not to say that The Drama makes light of gun violence. Instead, it deals with relevant questions about morality in an intriguing and insightful way. It is a strikingly nuanced take on a familiar question: can people who have done bad things change? The decision to use a planned school shooting to interrogate this idea is interesting, since it is one of those acts that is often viewed in black-and-white terms. It is difficult to conceive of someone who has gone as far as to plan one out as a ‘good person’, no matter how much personal growth they have undergone since.
The film acknowledges the complexity of this issue, with Emma’s confession receiving much worse reactions than the others, despite the fact that she is the only one who has not actually carried out her ‘worst action’. Rachel (Alana Haim), for one, admits to locking a child with learning difficulties in a closet for at least a day. Regardless of which is actually morally worse, Emma’s planned act is viewed as inherently more appalling due to the greater significance school shootings have assumed, particularly in recent decades, within our moral landscape. Borgli further complicates the moral question by having Emma back out from her plan, not due to any virtuous change of heart, but simply because another shooting occurs before she can carry out her own. Her road-to-Damascus moment soon follows, yet we are given the impression that, if not for circumstances outside of her control, she would have done it, and we are forced to consider whether this is as bad as actually going through with it.
Above all, with Norwegian Borgli as director, The Drama offers a European perspective on what has come to be seen as a distinctly American problem. It is fundamental to the narrative that Charlie is English – having grown up in a country with strict gun laws, he struggles to understand Emma’s reasoning, attempting to rationalise her actions by blaming American society’s attitudes to guns, a perspective that I found myself readily able to sympathise with. At one point, Rachel scornfully asks him whether he thinks America is to blame for Emma’s planned shooting, and although he denies it, the answer the narrative gives is, at least in part, yes. This is hinted at later on in the film in a brief but unsettling moment, where Charlie off-handedly points out that there was a mass shooting the other day, simply to reassure Emma when she overhears two guests discussing shootings at the wedding. In just a few lines, Borgli is able to touch on a wider truth about American society – gun violence does occur nearly every day, to the point that it can be mentioned in such a casual manner. There is no overt pro-gun control argument in the film, and yet it makes a point of illustrating how gun violence is a problem that is not just individual but societal.
The Drama is a film defined by second chances. It opens with Emma giving Charlie the chance to re-introduce himself after a clumsy first attempt, and ends with both of them giving each other a second chance in a poignant scene reminiscent of the opening: they re-introduce themselves, signalling a fresh start, leaving both of their mistakes and wrongdoings firmly in the past. The questions raised about whether redemption is possible are answered staunchly in the affirmative by such an ending.
By no means a perfect film, The Drama is nonetheless a captivating watch that more than delivers on the promised drama, chaos, and mayhem throughout. It doesn’t always get the balance right – there are moments where the school shooting seems more a plot device than anything else – and yet its happy resolution makes a thought-provoking contribution to discussions around personal growth and morality.
The post In sickness, health, and wrongdoing: ‘The Drama’ in review appeared first on Cherwell.
Student Life
University of Oxford paid private firm for ‘intelligence’ on student protest
The University of Oxford has been named as one of twelve UK universities that paid a private intelligence consultancy run by former military intelligence officials to monitor student activism and protest movements, in a joint investigation by Al Jazeera English and Liberty Investigates.
Freedom of Information (FOI) requests sent to more than 150 universities across the UK have revealed that Horus Security Consultancy Limited was employed by twelve universities to conduct covert counter-terror threat assessments on students involved in protest movements, particularly pro-Palestine activism.
It is alleged that the firm was contracted by universities to collect and analyse open-source data, which included student social media feeds, and to compile intelligence reports on protest activity. The investigation discloses that the firm has received at least £440,000 from universities between January 2022 and March 2025.
The other universities that paid Horus to monitor protest activity include Imperial College London, King’s College London, University College London, the University of Bristol, the University of Nottingham, and the University of Sheffield. There is no indication, the report specifies, that the purported surveillance is illegal.
This follows a previous investigation, conducted jointly by Liberty Investigates and Sky News last year, which examined the responses of a range of UK universities to pro-Palestine student activism. The University of Oxford refused to comply with the FOI request. However, the cache of emails disclosed by the FOI request to Oxford Brookes University revealed correspondence, forwarded to Oxford Brookes, between the University of Oxford and Horus Security regarding an Oxford Palestine Solidarity Campaign march.
A spokesperson for the University told Cherwell: “Allegations of surveillance are inaccurate. External security consultants are used solely to carry out safety risk assessments for public events and known protests – not to monitor individuals or political activity.”
An Oxford student involved in the 2024 protest action for Palestine told Cherwell: “It is disgusting but unfortunately unsurprising to learn that the University prioritised the digital surveillance of its own students over a serious institutional reckoning with its financial support for Israeli apartheid and genocide.
“Oxford University were, in Trinity term 2024, confronted with a movement that commanded widespread support among students and staff. Rather than engage meaningfully with the popular movement for divestment, they chose to contribute to the stifling of protest action for Palestine.”
Horus Security was founded in Oxford in 2006 by former British Army intelligence officer Jonathan Whiteley, as a project within the University of Oxford’s security team. According to its website, Horus provides security screening to “some of the most highly regarded, high-profile organisations in the world”, enabling them “not only to conduct pre-hire checks, but also to protect against insider threats, saving their organisations from disruption and from future and current employee risks”.
The director of the firm’s parent company, Horus Global, is the former Colonel Tim Collins, who helped to found the right-wing, pro-Israel thinktank, the Henry Jackson Society. In recent years, he has called for non-British protestors for Palestine to be deported from the UK.
Student Life
We need to talk about Oxford’s gossip problem
Gossiping is an innately human pastime, existing long before our generation, and a beloved form of social interaction that teeters on the boundary between harmless fun and cruelty. Yes, we all understand how damaging gossip can be when taken too far, but a sprinkling of rumour-exchanging is nothing but a guilty pleasure. In fact, as young people trying to build a community, gossip can be a tool of social necessity, building bonds with one another over the latest overheard dramas. However, in the age of social media, a new and improved variety of circulation has had a surge in popularity: the highly celebrated university gossip pages. What began as a handful of University-wide Instagram accounts recounting stories of minor scandal and light-hearted humour has quickly snowballed into countless pages that thrive upon shock-horror value and often vicious invasions of privacy. This phenomenon must be brought to an end.
The concept of circulating gossip from an anonymous source has perhaps been sensationalised by the media. Shows like Gossip Girl and Bridgerton paint a glorified image of a world in which the intricacies of people’s personal lives ought to be brought to light, often in the name of truth-telling or bringing about justice. Storylines like this appeal to us, as we cheer on the Lady Whistledowns of the world while sitting under a blanket with a cup of tea, comfortably outside of the realms of a world where secrets are freely exposed. But suddenly this world isn’t so separate from our own as the popularised university gossip pages have taken on the responsibility of uncovering what many would rather stay hidden – without an “XOXO, Gossip Girl” sign-off in sight.
The key ingredient in social media gossip accounts is anonymity. The anonymous creators deliver their news from behind a screen, controlling an account that cannot be linked to them in any way. Mysteries such as this inspire excitement, allowing the mind to wonder as to who could possibly be behind the mask – all of a sudden, anyone around you could be leading a double life. But the power of anonymity turns sour all too soon as the concealment of a screen separates people from the impact of their words. This can clearly be seen with gossip accounts, where any morsel of scandal – no matter how viciously articulated – is made public with the simple click of a button. The anonymous writer gets the rush of causing a stir and simultaneously the freedom from being tied to any real-world consequences, without even a second to check the truthfulness of any submissions. I doubt @oxscenes existed in the Spiderman universe, but it is true that “with great power comes great responsibility”… a responsibility dodged by the cloak of social media.
Another element that fuels readers of these gossip pages is a growing hunger for increasingly shocking tales. It is a human trait to seek out greater shock value, but as we become attuned to scandal, we crave even more absurdity in the tales that are being fed to us. And with demand comes supply, leading to the owners of these accounts spitting out submissions day after day, with a constantly lowering bar for what is permissible. This is certainly evident in some of the crude, hateful and divisive language that has been normalised by gossip pages. The subversive tone to these rumours incites a sense of danger that can be addictive. But when we take a step back, it is clear that this danger is all too real.
Many may look away from this issue, seeing gossip pages as nothing more than light-hearted fun between students and a source of entertainment in our often gruelling academic lives. Such supporters often fall back on anonymity, not of the writers, but of the victims. Secrets shared or rumours overheard are never explicitly linked to individuals, so no harm can follow. However, not only is this naïve, but it is also inaccurate. Even unnamed revelations have damaging consequences, as we see a culture of shame and ostracisation beginning to form. Also, with the development of more and more gossip pages that relate to specific cross-sections of Oxford University, such as college or subject groups, the blanket of anonymity for victims thins until the identities of those being exposed are barely veiled. Indulging in these rumours is always fun up to the point where you become the brunt of the joke – when that time comes, can your secrets really stay safe with you?
In this environment in which we feed on improprieties and intimate revelations, the strongest effect is perhaps that had on personal relationships. Secrets have become our currency, and as a result, holding your cards close to your chest is a necessary survival tactic to avoid being the newest laughing stock of the Oxford community. Where students once felt comfortable confiding in their friends, a twinge of apprehension creeps in as we are led to wonder who we can truly trust. Clearly, there are those who are willing to brandish what other people want to keep hidden for the sake of cheap entertainment. No one wants to believe it could be their friends – but it is someone’s. Gossiping is an innately human pastime, but a line must be drawn between casual conversations amongst friends and widespread platforms inciting cruelty and fear. With social media’s normalisation of this kind of discourse, our private lives have been ripped from us and placed under constant examination. We are not ruthless criminals being brought to justice, nor are we corrupt politicians being exposed for our true selves; we are just young adults trying to get by and inevitably making mistakes. So let’s stop playing the righteous truth-tellers and recognise that some things deserve to stay a secret.
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