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‘Y’all are pissin’ me off’: The Pitt star Isa Briones tells ‘disrespectful’ fans to stop shouting at her during Broadway show | The Pitt

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The Pitt star Isa Briones has issued a strong message to fans who have taken to shouting references to the medical drama at her while she is on stage in a Broadway musical.

Briones, who is performing in the musical Just in Time, has rapidly risen to fame for her role in the hit HBO show, as resident doctor Trinity Santos. In the second season of the show, which premiered in January, Santos repeatedly struggles with finishing her charting during her shift.

“Hey, hey, hey!” Briones wrote on Instagram. “Once again, Broadway is not a circus. Do not yell whatever you want at the performers. Yelling ‘when are you going to finish your charts’ before I sing Who’s Sorry Now? is fucking disrespectful to the performers onstage and your fellow audience members. Y’all are pissin’ me off.”

She added: “Love and light and please remember you are occupying shared spaces and watching art.”

Briones made her Broadway debut in 2024 as Eurydice in Hadestown. In April she began playing Connie Francis in Just in Time, a jukebox musical about the US singer-songwriter Bobby Darin.

Since it premiered in 2025, The Pitt has become hugely popular around the world and transformed the careers of many of the young actors who play residents and student doctors working in the fictional Pittsburgh Trauma Medical Center.

Briones’ co-star Patrick Ball, who plays Dr Frank Langdon, is also performing on Broadway and has spoken about Pitt fans waiting outside the stage door with gifts, telling the Prestige Junkie podcast: “When you’re making TV, we live in our little fluorescent box on the Warner Brothers lot – we’re sort of removed from the people who are actually receiving our work. Then you walk out of the stage door, and everybody who has become so supportive of The Pitt, they’re all there. It’s been such a blessing.”

Since the second season began in January, The Pitt has topped Nielsen’s streaming charts with more than 1bn minutes of watch time for eight straight weeks.

The second season is expected to dominate the Emmys in September. The first season was nominated for 13 Emmys and won five, including best drama series, best actor for Noah Wyle and best supporting actress for Katherine LaNasa. A third season is in the works.



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NHS cancer jab could mean patients spend hours less in hospital

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Thousands of patients will be offered a new injectable form of an immunotherapy drug that takes minutes.



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Elections this week a smorgasbord of competitiveness

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As well as Labour and the Conservatives, in the English local contests there are the Liberal Democrats, there is Reform UK, there is the Green Party of England and Wales and there are often competitive independents too. In the devolved elections, in Wales there is Plaid Cymru, which would one day like to see an independent Wales, and in Scotland, there are the Scottish Green Party and the Scottish National Party, both of whom would like to see Scotland become independent.



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The Devil Wears Prada 2 struts to stunning $233m opening weekend at box office | The Devil Wears Prada 2

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Gird your loins: The Devil Wears Prada 2 has had a huge opening weekend at the box office, making $233m (£171m, A$323m) worldwide from an overwhelmingly female audience.

The Devil Wears Prada 2 earned $77m at the North American box office, and $156.6m internationally. In the US and Canada, the sequel bumped Michael to second place, though the musical biopic held on in its second weekend to earn $54m, falling only 44%.

Women made up about 76% of the ticket buyers, according to PostTrak exit polls; 74% said they would “definitely recommend” the movie to friends. Critics were a bit mixed on the sequel, which finds Anne Hathaway’s Andy Sachs working once more for Meryl Streep’s Miranda Priestly at the fictional Runway magazine in a much-depleted media landscape.

The Devil Wears Prada 2 is the highest opening weekend for a Meryl Streep film by every metric, besting the $90m worldwide debut for Mamma Mia: Here We Go Again in 2018. It is also the biggest international and global launch for Emily Blunt, topping Oppenheimer’s $180.4m worldwide opening weekend.

The Devil Wears Prada 2 cost a reported $100m to produce – a significant boost from the first movie’s $35m production budget. But as the film-maker, David Frankel, told the Associated Press, “By the time you finish paying all the biggest movie stars in the world, you still end up with basically the same budget for making the movie as we did the first one.”

Stars Streep, Hathaway, Emily Blunt and Stanley Tucci have been on a fashion-forward global publicity blitz for weeks, with glamorous stops in Tokyo, London and New York. Even Anna Wintour, the inspiration for Streep’s Miranda Priestly, has been involved this time, appearing with Hathaway on the Oscars stage and with Streep on the cover of Vogue.

The first The Devil Wears Prada opened in June 2006 and earned more than $326m worldwide, not adjusted for inflation. And perhaps more importantly, it firmly became part of the culture thanks in part to its ever-quotable script (“gird your loins,” “groundbreaking,” “that’s all”).

This weekend marks the start of Hollywood’s summer movie season, a crucial 18-week corridor that runs through Labor Day and sometimes accounts for about 40% of the annual box office. There are often Marvel blockbusters programmed as the season’s kickoff but the combined power of The Devil Wears Prada 2 and Michael wasn’t a shabby substitute.

“This is a really solid weekend,” said Paul Dergarabedian, the head of marketplace trends for Comscore. “It’s this irresistible combination that more than makes up for the fact that there’s not a Marvel movie to kick off the summer movie season.”

It is incredibly rare for a female-skewing movie to led the first weekend of the US summer box office, which has largely been owned by Marvel movies in recent years. Prada did better business than last year’s summer kickoff Marvel movie, Thunderbolts.

The North American box office is running about 14% up from 2025, with about $2.8bn in domestic ticket sales to date.

Associated Press contributed to this report



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