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Oxford University Grade II listed building needs urgent work

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The main premises of the Ruskin School of Art, the university’s fine art department, at 74 High Street in Oxford, has been closed since October 2024 for a major refurbishment.

The stunning listed building dates back to the 19th century, built in 1888 and designed by T G Jackson, and the university’s art department moved in to the High Street building in 1975.

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Usually operating across this site and a second fine art building in East Oxford, at 128 Bullingdon Road opened in 2015, the department has temporarily taken up residence in The Old Music Hall at 108 Cowley Road while renovations are carried out.

Ruskin School of Art renovation proposalThe changes would restore the building to its ’19th century splendour’ (Image: Purcell / Ruskin School of Art)

An application for listed building consent to alter the historic High Street building has been submitted to Oxford City Council.

It details a refurbishment which include the removal of a 1970s era mezzanine in the main studio space, as well as 20th century partitions and building services, the installation of a platform lift to make most of the building accessible, and the creation of a new library and seminar teaching spaces.

Ruskin School of Art renovation proposalVisualisation of the main studio in the Ruskin School of Art (Image: Purcell / Ruskin School of Art)

The latter remodelling is partly envisioned to house 16 new students on the premises – adding to the ‘intimately-scaled’ department of 130 students – for a new post-graduate Master’s programme in Contemporary Art History and Theory, due to launch in October this year.

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A ‘statement of need’ submitted by the Ruskin School of Art with the listed building application said the renovation is “urgent and necessary” for several reasons in addition to its post-graduate course expansion.

Ruskin School of Art renovation proposalVisualisation of the new proposed library in the Ruskin School of Art (Image: Purcell / Ruskin School of Art)

These are the accessibility of the site, as only the ground floor and basement are accessible to wheelchair users, excluding them from the building’s main studio, teaching and meeting spaces.

A statement said: “This is not something that can be excused any longer. It causes distress and division amongst our cohort and staff and needs to be urgently addressed.”

It proposes an ‘elegant’ transparent platform lift from the basement to the first floor

Another key reason is to restore the building’s core spaces to their ‘original 19th century splendour’, partly by removing the ‘unsightly’ 1970s mezzanine from the drawing studio to maximise its natural light and ceiling height.

Ruskin School of Art renovation proposalVisualisation of the office space in the Ruskin School of Art (Image: Purcell / Ruskin School of Art)

This would also enable the ‘elegant’ room to be rented out to events during the university vacations, providing additional income for the art school.

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The renovations are also sought to improve the building’s energy performance and the ‘poor air quality and damp damage’ in the basement level, which was revealed when the building was stripped back during ‘enabling works’ earlier this year.

Finally, it would establish a more ‘flexible and efficient design’ for varied studio spaces through use of removable partitions to provide different teaching and studio space configurations depending on the department’s needs.

The application is open for consultation on the Oxford City Council website and is due to be decided by June this year.





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King Charles and Camilla absent from Oxfordshire royal funeral

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Mourners, including members of the Royal Family, travelled to a small village in the county for the funeral of Lady Pamela Hicks on Saturday (June 13).

The service for the 97‑year‑old took place at St Bartholomew’s Church in Brightwell Baldwin, between Wallingford and Watlington.

Lady Pamela died last week at her home in the village, where she had lived for many years with her late husband, interior designer David Hicks.

READ MORE: Mourners arrive for Royal Family funeral in Oxfordshire village

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Among the mourners were Lady Helen Taylor, daughter of Prince Edward, and Penelope Knatchbull, Countess Mountbatten of Burma.

There was no sign of King Charles or Queen Camilla, though, as the funeral came on the same day as Trooping the Colour, the King’s official London birthday parade.

Nevertheless, mourners paid their respects outside St Bartholomew’s Church as the coffin was carried inside, before following the procession for the service.

The small parish church is close to The Grove, the family house that became her long‑term base in Oxfordshire.

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According to the published order, the funeral was arranged in line with Lady Pamela’s wishes, with rousing hymns but no formal sermon or eulogy during the service.

Lady Pamela was a first cousin of the late Prince Philip and a great‑great‑granddaughter of Queen Victoria.

She was also a bridesmaid at the 1947 wedding of the then Princess Elizabeth and Lieutenant Philip Mountbatten.

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The 97-year-old later served as a lady‑in‑waiting to Queen Elizabeth II and accompanied the then Princess on the 1952 tour of Kenya.

This was when news came through of King George VI’s death and Elizabeth’s accession to the throne.

Following her death on June 5, King Charles paid a warm tribute, saying he was “greatly saddened to learn of the death of Lady Pamela Hicks, a sorrow tempered by the fondest memories and deepest gratitude for her long life and loyal service to Queen Elizabeth.”

In the statement released by Buckingham Palace, he added that her “warmth, wit and perspicacity always made such an impression” and that she would be “so dearly missed by all those who knew and loved her.”

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Lady Pamela is survived by her three children, Edwina, Ashley and India, and several grandchildren, many of whom were expected to attend today’s village service.

Brightwell Baldwin is a small rural parish in South Oxfordshire, about four and a half miles north‑east of Wallingford and close to the foot of the Chiltern Hills.

The village, whose name comes from the Old English for “bright spring”, had a population of just over 200 at the last census and is centred around a handful of stone cottages, farms and the church.

St Bartholomew’s itself dates back to the 13th and 14th centuries, with later medieval additions, and is regarded as one of south Oxfordshire’s most interesting historic churches.





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England transplant team lift the Four Nations trophy

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Led by manager Daley Cross, a renal and transplant youth worker at the Churchill Hospital, the England men’s side claimed the title with a 9-1 win over Scotland in the final.

The tournament, held in Dingwall at the Global Energy Stadium, brought together more than 60 transplant recipients from England, Scotland, Wales, and Northern Ireland, with each team showcasing the life-changing impact of organ donation and the resilience of transplant recipients.

Mr Cross said: “While it’s fantastic to bring the trophy home, the most important thing is the message behind the tournament.

“This is about showing what organ donation makes possible. Every player is living proof of the difference it can make.”

Among the England squad were two kidney transplant recipients cared for at Churchill Hospital – defender Robert Collins, 23, who received a kidney from his uncle in 2009, and goalkeeper Adam Martin, 35, who received a transplant from his sister in 2023.

Mr Collins, from Bedfordshire, said: “I’ve always loved playing football. When I was ill, I couldn’t play at all and I really missed it.

“Having a transplant has given me the chance to get back on the pitch and enjoy the game again.

“Being part of this team makes it even more special. There’s a real bond between us, one that extends beyond football – we’ve all been given a second chance.

“Every time we play, it’s a celebration of that. Scoring goals and winning along the way also helps.”

Mr Martin, from Banbury, said: “Representing your country is always an honour, but doing it alongside all the other transplant recipients – and in recognition of our donors – means so much more.

“I’ll always be forever grateful for the support the team offers and also to my sister for giving me a second chance at life.”

England finished the tournament unbeaten, securing dominant group-stage wins against Scotland (10-0), Northern Ireland (8-2), and Wales (7-0) before winning the final.

Mr Cross, who has worked at Oxford University Hospitals for 11 years, said: “We’re proud of what we’ve achieved on the pitch, but above all we want to raise awareness and encourage more people to consider organ donation.

“It truly saves and transforms lives.”

The tournament also featured public outreach to encourage sign-ups to the NHS Organ Donor Register.

England’s transplant team will now set their sights on the Transplant Football World Cup in Frankfurt, Germany, taking place later this year.

The competition will bring together teams from around the world to promote organ donation and celebrate the achievements of transplant recipients on a global stage.





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Harry Potter star Miriam Margolyes: ‘People don’t like Jews’

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The actress, who was born and grew up in the city, is well known to audiences around the world after starring as Professor Sprout in several of the Harry Potter films.

Known for her character actor work across film, television, and stage, she received the BAFTA for Best Supporting Actress for her role as Mrs Mingott in Martin Scorsese’s 1993 film, The Age of Innocence.

Ms Margolyes was awarded an OBE in 2002 for services to drama, but there were calls for this to be taken back last year.

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The 85-year-old, who is Jewish, has said that “people don’t like Jews” whilst speaking at the Hay Festival in Powys.

Ms Margolyes added that her Jewish identity has shaped her “whole life” and added: “What your parents teach you and what you learn from the community you live in.”

Addressing concerns about rising antisemitism, she told the audience: “Nobody likes me to say this, but I’m going to say it – people don’t like Jews.”

She reflected on how, after the Holocaust – “when millions of Jewish people, and people from other backgrounds, were killed by the Nazis during World War Two” – there was a period when people “realised that they couldn’t say nasty things about Jews because terrible things happened to Jews and they must be sympathetic, so it stopped.”

However, she added that, over time, when “people with no morals who happened to be Jewish” appeared in public life, “the knives came out again, and they have never been put away.”





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