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Fjord review: Cristian Mungiu at sea with strange child abuse drama starring Renate Reinsve and Sebastian Stan | Cannes film festival
Romanian director and Palme laureate Cristian Mungiu – the winner here in 2007 with his stunning 4 Months, 3 Weeks and 2 Days – comes to Cannes with an anticlimactic, underpowered movie which it seems to me could be part of an odd phenomenon at this year’s festival, detectable also in films here by Kantemir Balagov and Ryusuke Hamaguchi: auteurs making coproduction movies outside their home turf and mother tongue with big foreign stars, perhaps as a result of creative conversations at international film festivals with admirers from all over the world – and losing focus.
Fjord is an odd film, bearing Mungiu’s signature, certainly, with enigmatic long shots and avoidance of closeups, and one very distinctive crowding of faces in a dinner-scene tableau. But the ostensible pain and trauma of its story is conveyed without the rewarding complexity that we have come to associate with him, and without revelation or mystery. Ultimately, the film does not compellingly deliver a blazing truth about its various relationships – but neither does it intriguingly withhold any such truth from us.
Sebastian Stan plays a Romanian guy called Mihai, married to a Norwegian woman called Lisbet (Renate Reinsve); they have to come to live in the beautiful, remote village of Lisbet’s birth because Mihai, a qualified software engineer, can get an IT job and there is a strong church community thereabouts which is a great attraction as Mihai and Lisbet are fundamentalist conservative Christians who are very strict. They are given a warm welcome by their (non-Christian) neighbours, who are the school’s headteacher and his wife.
The film begins on a disquieting, ambiguous moment: Mihai has clearly just delivered a punishment of some sort to their teenage daughter who is now required to give him a penitent hug. The school’s staff notice that the children have marks and bruises. They are gently but pointedly questioned and (perhaps) incriminate their parents because they are not sufficiently proficient in any language other than Romanian. Perhaps the language issue also contributes to the calamitous statement Mihai then gives to the police with no lawyer present.
With lightning speed, the children are taken into provisional care pending a hearing and criminal trial. Things are complicated by a growing concern about their neighbours’ elderly disabled father and about Mihai and Lisbet’s daughter forming a close relationship with their neighbours’ rebellious teen daughter.
There is something undoubtedly ingenious in the way Mungiu invites the audience to sympathise with the children, and side against this ice-cold patriarch – and then almost side with the patriarch against the blandly smug, supercilious officers of a system weighted against them.
Liberal prejudice against them as Christians or as Romanians arguably plays its part. But the facts of the matter do not seem to be in doubt: Mihai concedes he smacks or slaps the children occasionally – quite normal in the robust world of Romania. But don’t those bruises and marks show something worse than that? The matter is not resolved in court or in the film and then we have a strangely inert and suspense-free finale at the ferry terminal which reveals that the relationship between the teen girls Elia (Vanessa Ceban) and Noora (Henrikke Lund-Olsen) is something else the film has not sufficiently told or not told us about. Mungiu’s technique will always be interesting but this is a disappointment.
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Tribute to 'fearless' soldier who died after fall from horse at royal show
Ciara Sullivan’s father posted a tribute to his daughter on Facebook on Sunday.
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It’s byelection bingo! Get ready for the Brexit arguments you heard 10 years ago, only louder | Zoe Williams
It is a gruesome shock and yet was entirely predictable: we stand on the brink of a byelection that is three things at once. First, a straight popularity contest for Andy Burnham, which itself is a worry, because there must be a limit to how many times you can be called “King of the North” without it boiling your brain, and if that limit exists at all, it must surely have been reached. Second, it’s a limbering-up round for the coming Labour leadership challenge. Third, and most importantly, Makerfield is a test of what Labour would have to look like to beat Reform when it matters. So what could be more helpful than for everyone involved – every cabinet minister, every backbencher, every commentator – to reach back into their memory and find the stupidest thing that was ever said about Brexit, and say it again in a more excitable voice. Get ready for Brexit-argument bingo; if you think you’ve heard them all before, that’s why it’s so fun.
Keir Starmer jumped first, even before the byelection was on the cards. After announcing a plan to nationalise steel – an industry that is already under government control – he made some huge admissions about Brexit, followed by some even larger promises. He said it had made us poorer, it had sent migration through the roof and it had made us less secure. It wasn’t what you’d call hold-the-front-page, since it’s common knowledge that Brexit has made us poorer; but it’s extremely surprising, of course, to hear the prime minister make a straightforward statement on the EU which relates to reality, rather than a convoluted set of red lines, related to an alternative universe in which Europe is begging to take us back, but we’re holding firm.
More surprising still was the news that: “This Labour government will be defined by rebuilding our relationship with Europe and putting Britain at the heart of Europe.” How that would work is perplexing, without breaching those red lines that we’re all supposed to understand even though they make no sense. Baffling as it all is, it has the comfort of nostalgia, being powerfully reminiscent of Starmer as Brexit secretary in Jeremy Corbyn’s shadow cabinet. He felt so remain-adjacent, being the kind of person who listened to reason, who hadn’t had enough of experts. And yet it was all just vibes. There really should be a word for anti-nostalgia, a moment that reminds you powerfully of the past and fills you with regret for its consequences and dread of going back there. Oh yeah, that word is “politics”.
In comes the plucky “red wall” defender, backbencher Jonathan Hinder, Labour MP for Pendle and Clitheroe. In raw, man-of-the-people language, he told BBC Radio 4’s Today programme that if he told this to people in a pub, “they’d say, ‘You are off your rocker if you think the priority for the British people right now is to restart this debate.’” And, he went on, “We are just over a week after we took a real beating in our working-class heartlands.” And there it is again: the mantra of many politicians in and around 2017: the British working class all thinks the same thing, and I alone can interpret it.
Wes Streeting said at the weekend that Brexit had been a “catastrophic mistake” and the best thing for the British economy would be to rejoin the EU; it’s a solid view, easily defendable, shared by more than half the British public. But more importantly, it’s the settled opinion of 80% of Labour voters, and the party members, the remainiest of them all, are who Streeting needs to win over. Will this Europhilia, so taboo in politics for so long, result in concrete action down the line, or is it just more crowd-pleasing vibes?
Impossible to say, and David Lammy, for one, just wishes that everyone would stop saying anything. Comment and debate about Brexit is for sixth-formers, he argued, also on Today. The only way for Labour to survive is to stop talking and pull together, he concluded. Sure, that always works.
Brexit broke the connection between things that are said and things that are done, promises that are made and realities that ensue. The facts have changed since 2016 – public opinion, balance of trade, geopolitics – but the language remains the same, delivering what would once have sounded like a physical impossibility, that the nation stood still and yet rapidly worsened. I didn’t see that on the side of a bus.
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Tube strikes called off by RMT union
The Rail, Maritime and Transport (RMT) union calls off a series of 24-hour strikes starting on Tuesday.
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