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Stuart Penkett obituary | Environment
Stuart Penkett’s discovery of the chemical processes that cause acid rain transformed our understanding of atmospheric pollution and what was required to deal with it.
Penkett, who has died aged 87, and his colleagues at the Atomic Energy Research Establishment (AERE) in Harwell, Berkshire, published a landmark paper in 1979 in the journal Atmospheric Environment, identifying how sulphur dioxide, primarily emitted from industrial sources, is converted into sulphuric acid in clouds that subsequently falls as rain.
Acid rain had been causing significant environmental harm throughout the 20th century, devastating aquatic ecosystems and forests, as well as damaging infrastructure throughout Europe and North America, where chemicals concentrated in the atmosphere above industrialised areas.
Later, while based at the University of East Anglia (UEA) in Norwich in the 1980s, Penkett worked on understanding the processes that produce and destroy ozone in the Earth’s atmosphere. His measurements helped identify the role being played by chlorofluorocarbons and other ozone-depleting substances (ODSs) and would contribute significantly to the successful implementation of the 1987 Montreal Protocol, the international treaty designed to protect the Earth’s ozone layer by phasing out the production and emission of ODSs.
The protocol was signed by all United Nations member states, the first treaty in UN history to achieve universal ratification. For many years afterwards, Penkett would contribute to the UN’s Scientific Assessments of Ozone Depletion reports, which underpinned the protocol. The former UN secretary general Kofi Annan described Montreal as “perhaps the single most successful international agreement to date”. What Penkett described in New Scientist magazine as the “creeping horror of ozone hole-induced damage” has since been reversed.
Born in Eccles, Lancashire, Stuart was the only child of Arthur, a fitter at Gardner and Sons, an engine building company in Eccles, and Ilene (nee Henshaw), who had been a secretary before marriage. Penkett passed the 11-plus exam and attended Eccles grammar school before, in 1960, graduating with a degree in chemistry at Leeds University.
He stayed at Leeds to gain his PhD, specialising in chemical kinetics – the branch of physical chemistry focused on understanding the rate of chemical reactions and the factors that influence them. He then spent two years carrying out postdoctoral research in the US at the University of Southern California before returning to the UK to work in the labs at the multinational consumer-goods company Unilever.
In 1968 Penkett was appointed senior (later principal) scientific officer at the AERE, initially focusing on how atmospheric pollutants oxidise and damage materials with which they come into contact. In addition to his discovery of the processes causing acid rain, his other work at the AERE and subsequently at UEA showed how our atmosphere breaks down pollutants, effectively cleaning the air we breathe, and how badly adjusted domestic gas stoves can cause serious health risks to those using them.
He left the AERE in 1985 to join UEA, initially as a Natural Environment Research Council (NERC) reader, before becoming professor of environmental sciences in 1990. He would remain at UEA until retirement in 2004, following which he became emeritus professor.
Penkett established the Weybourne Atmospheric Observatory (WAO) on the Norfolk coast to the north of Norwich, to monitor pollutants and record other atmospheric phenomena. It is now one of the stations in the World Meteorological Organisation’s Global Atmosphere Watch network.
He also led the development of the UK Met Office’s C-130 aircraft, which became the Facility for Airborne Atmospheric Measurements, an airborne laboratory capable of measuring the chemistry of the atmosphere. In addition, by bringing together scientists from different universities and NERC research centres, he created the first co-ordinated national programme for atmospheric chemistry, offering a blueprint for future global research projects.
Among numerous appointments, Penkett was a member of the Intergovernmental Panel on Climate Change, an affiliate scientist at the National Center for Atmospheric Research in Boulder, Colorado, and a member of the Max Planck Society, a non-governmental, non-profit association of German research institutes. He also worked for the World Meteorological Organization and the European Research Council, advised the British and US governments on climate and atmospheric science, and was awarded the Gaskell Memorial Medal by the Royal Meteorological Society in 1987.
In 2003 he received the Haagen-Smit award, considered the “Nobel prize” in air quality research, from the academic publisher Elsevier, for his original, seminal paper on acid rain formation.
Penkett’s made the UEA’s school of environmental sciences the UK’s leading research group looking into atmospheric chemistry measurements. He trained a large cohort of young scientists now working in important research positions, and was generous with his time, notably with visitors from abroad, who would always be treated to a fish-and-chip supper after visiting the WAO.
In 1962 Penkett married Marigold Gibbens, whom he had met during his PhD course while seconded to the Akers research laboratory in Welwyn, Hertfordshire. For many years she worked as his personal assistant.
She survives him, along with three of their four children, Fiona, Clive and Rebecca, and five grandchildren. Another son, Christopher, died in 2021.
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‘After one gig, someone stole my car with my dole money in it’: Morcheeba on how they made The Sea | Culture
Ross Godfrey, songwriter, guitars, keyboards, electronics
We’d made our first album and were waiting for it to come out. But we wanted to carry on writing more stuff while we were in the mood. I even cut Christmas dinner short at my uncle’s in Brixton, London, so we could get back to the studio. We would work until we passed out, then I’d sleep underneath the mixing desk with my head in the bass drum, as that’s where the pillow was.
One night in early 1996, my brother Paul and I stayed up all night drinking vodka, trying to write as many songs as we could, and we came up with much of the Big Calm album. We showed Skye Edwards the chord progression for The Sea and some lyrics, and she came up with a melody. When the first album was released, we were suddenly doing lots of TV shows and touring, but when we played the Concorde in Brighton we went down on to the beach. It put us in the mood to record The Sea. Paul and I grew up in Hythe on the Kent seafront, so it felt poignant.
We recorded a rough version and gradually made it better. One night I came back at 3am with a load of people that we’d dragged from the pub after a lock-in, and I decided to record the wah-wah guitar bit. Another day we got a string section in and because I was 20 and was making them cups of tea they thought I was the studio assistant. When I asked for a psychedelic improvisation like at the end of the Beatles’ A Day in the Life, they went: “Why is the tea boy telling us what to play?” Paul found some loops for the drum beat and we ran everything on an Atari two-inch tape machine to piece the music together. Then Skye came in and sang.
The Sea was all set to come out as a single but the record company lost confidence, so it only came out as a white label for DJs, but we’re proud that Big Calm became a really successful album without having any hits on it. It spent a year in the Top 40 initially and eventually went double platinum, but we were still seen as an underground band. Then Channel 4’s early reality TV show Shipwrecked used The Sea as the theme tune and it’s since become our most popular track and our favourite to play live.
Skye Edwards, vocals, songwriter
My best friend, Julie, worked in a clothes shop and a courier who was delivering parcels invited her to a party. She asked me to come – “Because I don’t wanna be stuck with this random guy at a house party in Greenwich.” When I arrived at 11pm, there was no one there apart from Ross, who had a cute little denim jacket and a ponytail, and his mate, this guy Justin. I got Justin’s number, because he was very handsome, and took Ross’s, because I was going to try to sell him my drum kit as it was ridiculous playing drums in my little flat. It turned out that Morcheeba were looking for a singer and Justin told Ross I could sing. After my first gig with them, someone stole my car with my dole money in the glove compartment, but things worked out.
When we’d go in the studio, Ross would generally play the song on an acoustic guitar and I’d just sing along and Paul would talk about the lyrics he’d written. To me The Sea always felt very evocative and now whenever we perform it, I tell the audience to close their eyes and imagine they’re at the beach. Ironically, I grew up in the 80s with the Jaws films so was always afraid of the water. Then in 2019 a free-diving course in Thailand completely changed my relationship with it. Now I can put my face down, hold my breath and not be afraid of what lies beneath.
The song’s taken us around the world to some really beautiful places: we get asked to play at loads of festivals in lovely places by the sea or by lakes. Gary Clark from the band Danny Wilson once said to me: “You really nailed it there. I’m thinking of writing a song about a tree.”
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