Student Life
‘Scenes With Girls’ and complicated female friendships
Scenes with Girls deserves to be seen as one of Labyrinth Productions’ (Rosie Morgan-Males and Emily Cullinan) most impressive accolades. It displayed the tension inside a female friendship to such a believable extent that at points the audience were silenced entirely. It felt particularly relevant given this year’s right-wing coverage of an emerging “angry woman” who refuses to conform to established beauty ideals, creating the concern amongst men that she may, horror-of-horrors, renounce them entirely.
The play centres the friendship of flatmates Tosh (Juliet Taub) and Lou (Sanaa Pasha), and their ex-flatmate Fran (Georgina Cooper), and forces the audience to consider what it means to live as a feminist in today’s day and age. Each character symbolises a varying degree of conformity to the standard “narrative” – the conventional life path ascribed to women which lacks space for female platonic intimacy, and foregrounds the pursuit of heteronormative romantic relationships. Lou persistently seeks sex with men, but wishes she could leave her body as it happens, Tosh chooses not to associate with men at all, and Fran becomes the object of their ridicule as she, in their eyes, allows herself to be dominated by her boyfriend.
The play questions whether following the narratives we’re fed makes us flawed. Underlying the flatmates’ attempts to define a new feminist consciousness is a sense of sexual competitiveness written into their psyches since “girls’ school”, and ironically it is Tosh who chooses the “desire to be desired” over forging an alternative lifestyle with Lou, briefly doing a “really good impression of a girlfriend” before the two reunite. This production was remarkable for its ability to use laughter to make the audience think. Lines which were instantly funny, such as Taub begging her boyfriend to repeat himself and him saying “you’re so fit”, prompted reflection on the reality of women allowing men’s assessment of their physical appearance to dictate their happiness. Hearing conversations after the performance’s end made me certain that this production will have an enduring impact on viewers’ understanding of heterosexual romance.
The actors’ versatility prevented the physically intense emotional scenes from losing pace, and Rosie Morgan-Males’ stellar directing allowed the audience to observe when each friend was craving the other’s approval. In such an intimate relationship, tension was physical. Blocking made evident to everyone but Lou that Tosh wanted her undivided attention. Lou’s incessant mentions of sex made Tosh’s shoulders visibly slump, and her dissatisfied expression at times where Lou seemed more focused on her phone gave context to later anger. Later, having been persuaded that she ought to renounce men entirely, Lou is placed behind Tosh so that the audience can notice her hopeful looks as she asserts to Fran that she no longer wants to talk about boys: in a weak imitation of Tosh’s all out separatism, Lou murmurs that she now finds them “gross”.
Cooper as Fran was a comedic highlight, and Morgan-Males’ choice to push her over-enthusiastic reactions to extremity was well enacted. Cooper’s focus was commendable: the audience could see that while constantly smiling, Fran was also constantly listening, never looking away from the relationship between the two women. This made her later assertion that she “is not stupid” and sees herself worthy of pursuing their feminist lifestyle believable.
Pasha too is a fantastic emotional actor and it was in her character’s moments of defeat that she shone most. After Tosh confronts her and explains that she is obsessed by “the shit version of love they [men] give you”, her physicality destabilises and for much of the rest of the play she appears untethered, at one stage collapsing on the floor. The sense that she is struggling to avoid a total breakdown was impressively acted, her eyes glazing with tears as she tells Fran that she feels “mad”.
Taub was impossible not to watch, especially in moments of climactic anger. Her ability to move between a cynical “dead-inside” attitude and brutal anger was phenomenal. In particular, her dogged confrontation of Pasha had the audience visibly uncomfortable.
The embodiment of the joy as well as pain within Tosh and Lou’s platonic relationship was a highlight. No holds-barred descriptions of Tosh’s sex life, in which the men were always viscerally denounced – “the conversational equivalent of a nosebleed in a swimming pool” – were interspersed with tableaus that convincingly represented the pair as two friends placed firmly in our generation. Non-sensical jokes were thrown at each other while sat apart engrossed in their phone screens. In the parts of the script where their friendship was strongest they sprawled their limbs across each other. It was these unspoken moments that made their friendship seem most real: jokingly poking each other’s legs, or wrestling each other to the ground.
The actors’ boldness and commitment to every movement gave the play its glowing quality. Their hugs – most memorably after Tosh demands that Lou “dig into this” – successfully transferred an appearance of platonic passion. Alongside whole-hearted physical intimacy, the toilet at the back of the stage was an effective way to demonstrate the lack of boundaries between the characters. The lack of bodily privacy between the two was reflected in its openness to the audience, with some of the most compelling dialogue delivered by Tosh from the toilet seat. In an extremely powerful exchange taking advantage of this set-up, a visibly defeated Taub asked “am I mentally ill?”.
The “messiness” of the physical intimacy was well complimented by the set, with clothes strewn across the floor. It felt like an illusion to Tracey Emin’s My Bed in an era where women’s lack of total cleanliness is no longer seen as shocking. The simplicity of the costumes (relaxed tops and tracksuits, designed by Clara Woodhead and Mimi Finney) were another indicator of the friend’s closeness.
The script, like female friendships themselves, is complicated, but the actors tackled it with professional quality. It is rare that a student production is capable of making an audience both laugh out loud, and fall completely silent. To use a cliche, it was jaw-dropping.
Student Life
St Edmund Hall unveils new eco-friendly accommodation
St Edmund Hall has opened new, sustainability-focused accommodation in Norham Gardens, one of Oxford’s most affluent neighbourhoods.
The College describes the buildings, which took three years to construct, as an “exemplar” of sustainability. Designed by architects Wright & Wright LLP, they are certified with a Passivhaus standard, widely regarded as the industry benchmark for energy efficiency, and were built using “sustainably sourced and low-embodied carbon materials”. According to a press release on the Teddy Hall website, the buildings will use 70% less energy than the typical modern building.
It contains 127 en-suite study rooms, split across three new buildings: Willis House, Ashton House, and Elliott House, on the nearly 50-year-old Norham St Edmund site. The buildings, which back onto University Parks, are powered at least in part by solar panels and are heated by air-source heat pumps.
The rooms include heated towel racks, big double beds, and dimmable lights. Despite the luxury, the College kept the nightly rate in line with the rest of its Norham housing. The College told Cherwell that it “recognises the need to keep rents as low as possible” and that its accommodation costs are “below the median of all Oxford colleges”. By that standard, tenants are expected to pay around £30 a night.
Rooms on the site will be reserved for Teddy Hall returning undergraduates. They will not be available to postgraduates and, by extension, not be offered through the Oxford University Collegiate Accommodation System, now in its second year of opening college rooms to students from other colleges. The accommodation will allow Teddy Hall to accommodate all undergraduates for their whole degree.
The development’s outdoor spaces are boasted as climate-resilient and biodiverse, with landscaped gardens and lawns. For budding geographers and biologists, the most intriguing feature may be an ecology pond.
Chancellor William Hague said in a press release: “Norham St Edmund is a world-leading blueprint for future student accommodation projects and sustainable building design, both in Oxford and beyond. I look forward to seeing it serve a thriving college community for generations to come.
Student Life
Summit calls for human rights safeguards on AI
Human rights experts called for stronger legal protections against the risks posed by artificial intelligence (AI) at an Oxford AI and Human Rights Summit, with speakers arguing that human rights standards must be embedded into AI governance and technology.
The summit was hosted at the newly redeveloped Rhodes House in Oxford and organised by the Institute for Ethics in AI. It built upon Professor Yuval Shany’s consultation on a white paper, published in 2025, on the need for and feasibility of an international AI Bill of Human Rights, which proposes ways to adapt existing human rights standards so as to better address some of the unique challenges posed by AI systems and their uses.
An opening video address from the United Nations High Commissioner for Human Rights Volker Türk outlined how AI policy can keep pace with a fast-developing technology. He said that “great power demands responsibility on the same scale, and when the two don’t match, we have a problem”. Corporate control, he explained, means that AI policy stretches beyond existing national borders. He continued to praise this summit for bringing together leaders and representatives at the forefront of the discussion.
Speakers called on the UK government to establish legislation, recalling Labour’s manifesto commitment to an AI Bill of Human Rights. The panellists broadly agreed on the importance of human rights, but appeared less aligned on what enforcement should look like in practice.
In an exclusive interview, Michael O’Flaherty, the Council of Europe’s Commissioner for Human Rights, told Cherwell that political short-termism Continued on pg. 2 risks undermining efforts to address the long-term consequences of AI. “We are infected across our societies with shorttermist responses to the great issue of our societies and politics,” he said, adding that electoral cycles make it difficult for politicians “to think beyond the next election”.
O’Flaherty also noted that younger generations no longer take the international human rights system for granted. “There is no longer an assumption that the human rights system is safe, that it will survive,” he told Cherwell. He argued that political leaders increasingly treat human rights selectively, saying: “Increasingly, leaders are treating human rights, if they are respected at all, as an a la carte buffet. We take those rights because they serve our goal. We’ll ignore others because they get in the way.
The summit also heard concerns about the effects of AI-generated misinformation on communities that may have limited access to, or awareness of, the technology itself. An audience question asked human rights experts to consider the impacts of AI on populations, such as those in India, who might be unaware of its existence. The focus on the impact of AI on populations in developing countries more vulnerable to the power of big tech was a key theme of the summit.
Eileen Carter from the South African Human Rights Commission warned that underrepresentation of African languages in large language models could exacerbate existing inequalities. She also raised concerns about the effects of misinformation and deepfakes on elections, referring to more than 360 deaths associated with unrest and the amplification of narratives.
The third panel, which offered a civil society perspective on promoting human rights in AI systems, offered some hope. Across all speakers, the potential for AI to transform the beliefs that underpin human rights, including the rights to water, education, and an interpreter, was debated. When asked about AI’s potential to unravel and alter the definition of human rights, such as what is included in the ‘right to education’ O’Flaherty told Cherwell: “The damage that can be done by AI has hit more dramatically and more visibly than perhaps any other sector within education through the phenomenon of cognitive loss, of cognitive transfer. We’re only beginning to realise the extent to which we have allowed education to be fundamentally undermined for an entire generation.
“It’s time to seize that now and engage it. I’m not sure that the classic understanding of the human right to education is particularly well-framed for this extraordinary development.”
In a discussion on different countries’ regulatory approach to AI, Suresh Venkatasubramanian, professor at Brown University and former AI advisor to US President Joe Biden, argued that AI systems should not be treated as inevitable developments beyond human control. “We continue, I think, to talk about AI as a thing that emerged out of nowhere that we just have to deal with,” he said. “We forget that these aren’t coming from an alien planet and they were built by entities that choose to build them in a certain way.” He called for pressure on technology companies to make different choices about how AI systems are developed.
Questions of accountability also emerged during discussions about AI’s potential to improve access to justice. Research presented by Philippa Webb said that only 10% of people who have access to a lawyer can get one while there are thousands of bookings for an interpreter in a court covering 150 languages. However, this progress is not cemented as “general-purpose chatbots hallucinate 58% of the time on a legal task”. The use of AI in moderating legal proceedings raised fundamental questions about humanity and authority. Thompson Chengeta from Liverpool John Moores University said that “human rights is the last line of defence so when we say we want a human rights based governance… human rights is not an idea, it is an obligation. There is a gap that can only be recovered by a legally binding instrument”.
The event culminated in a panel offering an industry perspective. Co-host Dr Caroline Emmer De Albuquerque Green questioned representatives from Meta, Google, Microsoft, and OpenAI. Michael Karimian, who works in digital diplomacy at Microsoft, discussed the role of private sectors in engaging with AI, defining corporate responsibility as something which “provides transparency and identified risks”.
All companies supported having formal programmes to ensure that they have an AI policy in place. Within their own companies, they suggested protective measures such as specialised training to ensure that policies, such as whistleblowing, are understood. Alexandria Walden from Google described how consultations with stakeholders could be used to identify when the product breached users’ boundaries. These assessments, according to OpenAI’s spokesperson, “feedback into tangible technical input” and “benchmark it”.
Fundamentally, understanding the rationale behind human rights is imperative, though lacking. Alexandria Walden from Google said: “Whether or not they understand human rights, they care enough to infuse it in their company… we might not always get it right, but it is something we care about.”
Where former panels discussed controls to ensure human rights are considered in the development and implementation of AI products, this panel focused on mitigation. A spokesperson from Google pointed out that technology is inevitably going to move faster, so multiple tools are needed. Companies, OpenAI’s representative noted, still encounter issues such as discrimination and free speech. Consequently, they regard this as an additional policy which companies have a structured model to deal with, but newer companies, and newer industries, haven’t learnt it yet.
In her concluding remarks, Green called for policy makers to “make the abstract actionable” at both governmental and corporate levels. She argued that, by framing the issues posed by AI as human rights issues, we gain a “foundation” for recognising AI’s many societal impacts.
Student Life
Oxford University launches Ebola vaccine trial in Uganda
Ugandan participants in a clinical safety study received an Oxford developed Ebola vaccine this week.
Researchers vaccinated the first participants on 6th October in Masaka, Uganda. The phase follows the launch of a first-in-human Phase I trial in the UK evaluating the same vaccine candidate.
They received the vaccine as part of an evaluation of the safety and efficacy of a ChAdOx-based Bundibugyo Ebola vaccine candidate developed by the Oxford Vaccine Group (OVG) and the Pandemic Sciences Institute at the University of Oxford.
Development for this vaccine began in May this year in response to the ongoing Ebola outbreak in the Democratic Republic of the Congo (DRC). The research, led by OVG’s Professor Teresa Lambe and Professor Simon Drysdale, is funded by the Coalition for Epidemic Preparedness Innovations (CEPI). No licenced vaccine for the Bundibugyo strain of Ebola virus currently exists.
In a statement to Cherwell, OVG said its involvement includes collaborating with the Ugandan research team to support “the study’s scientific design, clinical trial coordination, safety oversight, and evaluation of vaccine safety and immunogenicity”. The Phase I clinical trial addresses a rare strain of Ebola virus affecting communities in the DRC since May. The phase is a collaboration between the Medical Research Council/ Uganda Virus Research Institute and the London School of Hygiene and Tropical Medicine (LSHTM).
Dr Nicole Lurie, CEPI’s Executive Director for Emergency Preparedness and Response, told Cherwell: “It [the Bundibugyo outbreak] remains the fastest-growing and second-largest Ebola outbreak ever recorded – and we currently remain without a licensed vaccine or treatment.” The Bundibugyo Ebola epidemic in the DRC has surpassed 8,600 cases, with almost half of infections proving fatal.
The outbreak was declared a Public Health Emergency of International Concern (PHEIC) by the World Health Organisation (WHO) in May.
OVG told Cherwell: “For more than a decade, the University of Oxford has performed many clinical trials of candidate viral-vectored vaccines. Some of the most promising vaccines used a modified chimpanzee adenovirus, a harmless version of a common cold virus. The Oxford-AstraZeneca (ChAdOx1) COVID-19 vaccine was approved for emergency use in the UK in December 2020 and was estimated to have saved six million lives during 2021 alone, and over 3 billion doses were used worldwide.” The adenovirus vector vaccine technology trialled in this study was successfully used worldwide as part of the Oxford-AstraZeneca COVID-19 vaccine.
More funding is necessary to ensure the development and approval of the Ebola vaccine. Lurie told Cherwell: “Without sufficient additional funding, we are at risk of not being able to develop these promising vaccine candidates… CEPI urgently needs US$128M now to keep our Bundibugyo emergency R&D response moving. Without it, we are putting the DRC, and the world, at tremendous risk.”
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