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Babies review – a very special gift indeed | Television
Lisa and Stephen are good. “You good?” asks Stephen (Paapa Essiedu), plonking himself next to his wife on the sofa. “Yeah,” replies Lisa (Siobhán Cullen) from the depths of her oversize fleece hoodie. “Good,” says Stephen. “All good.”
Lisa and Stephen love each other and when Lisa has a miscarriage, then another miscarriage, they don’t talk about it, not really, because you don’t, do you? It’s just one of those things. “Gotta stay positive,” as Stephen says. “Eyes up, move forwards.”
They refuse to let their losses define them. Besides, as Lisa points out, no one else understands, do they? Not really. “We are,” she says, “so alone.” And so they tighten the drawstrings of their relationship, pull together and, in their happy-sad amniotic cocoon, continue to do what they’ve always done. Chin up. Get on with it. Put it all behind them.
So, yeah, Lisa and Stephen are good. All good.
Created, written and directed by Stefan Golaszewski, Babies is a drama about communication. It’s about what happens when people don’t, or can’t, ask for what they need, either because this makes them feel vulnerable or embarrassed, or because they fear the response will reveal something about themselves they would rather not have to face.
So, here are Lisa and Stephen. And here, too, are Stephen’s best friend, Dave, and his new girlfriend, Amanda. Dave (Jack Bannon) is a passive-aggressive wide boy, whose relationship with his young son is abysmal and his lack of self-awareness significantly worse. An inveterate banterer, Dave longs for emotional connection, but his terror of intimacy and inability to not say things such as “I can’t stand the sanitisation of the global west” casts doubt on his capacity for long-term romantic success. He is, to echo the words of one observer, “a prick”.
Amanda (Charlotte Riley), meanwhile, is … well. It’s difficult to say. Of Babies’ four exquisitely complicated main characters, she is perhaps the most complex; a stiff-jawed, meticulously bloused acquisitions manager who vacillates between near-mute self-preservation and lacerating emotional veracity. I think. Nothing here is straightforward.
Over six episodes, we follow the couples as they navigate their relationships and attempt to find some degree of happiness.
As with Golaszewski’s previous creations – Marriage, Him & Her, and the quietly miraculous Mum – Babies doesn’t have much in the way of plot. Information is released slowly, with even relatively minor revelations – a loathed acquaintance is pregnant; a seemingly laid-back family member is an emotional manipulator – landing like bombs. We fear the fallout from our protagonists’ reactions to these discoveries. We want to protect them from themselves.
The thread – the umbilical cord, if you will – that wends through this extraordinarily tense jumble of emotions is Lisa and Stephen’s longing to conceive. There are gloriously quotidian montages of their efforts to board the pregnancy hamster wheel: the frantic sex, the laughing at the insensitivity of doctors (“yeah, we’re all good, hahaha”), the sitting on the edge of the bath while staring tearfully at a plastic wee-stick. The many hospital scenes are similarly well observed, albeit difficult to watch (as astute a director as he is a writer, Golaszewski knows precisely when not to look away).
Like 2022’s Marriage, Babies asks more questions than it answers. Does grief excuse selfishness? What makes one death more significant than another? At what point does a positive mindset become a cudgel with which to obliterate the truth?
The series is a feat of narrative engineering. So many expertly assembled little cogs and pistons working in harmony. It’s an unapologetically adult drama, too, albeit one unafraid to end an emotionally devastating scene with a joke about Chicken Cottage.
Quibbles? The themes of toxic masculinity and generational trauma are, at times, slightly overplayed. And the treacly, busker-ish theme tune (which is, inexplicably, performed by Golaszewski himself)? Best to scurry past it with head down and hands in pockets.
But enough carping. With this unsettling, compassionate, funny, moving, wildly unpredictable and beautifully acted series, Golaszewski has given us something very special indeed. Babies, then. It’s all good.
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Pete Hegseth removes all women and some Black service members from navy promotion list | Pete Hegseth
The US defense secretary, Pete Hegseth, stripped nine navy officers including women and Black service members from a promotion list last month, according to a person familiar with the matter, resulting in an all-male, overwhelmingly white slate of 22 advancing as nominees to become one-star admirals.
Hegseth’s unusual intervention violated promotion rules designed to be merit-based and apolitical, the New York Times said on Tuesday, and extended the Trump administration’s push to eliminate diversity, equity and inclusion (DEI) in the military.
The original promotion list included three women and two Black officers in addition to the two who remained, the newspaper said.
A navy source said that officials in the service had been “very confident” with those on the promotion list, including the officers whom Hegseth removed. He said Hegseth did not explain to the navy why he removed the officers from the list.
One government source familiar with matter said Hegseth has “his favorite MOS’s [military occupational specialities], and then gender and race. He went through the list and scrubbed a few names. It was felt loud and clear.”
The Pentagon disputed that Hegseth blocked promotions based on race or gender. “As we’ve said before, military promotions are given to those who have earned them. The department will never consider the color of a service member’s skin or their gender as a factor in promotions,” said Sean Parnell, the chief Pentagon spokesperson. “Under President Trump and Secretary Hegseth, meritocracy reigns supreme at the war department.”
The move has direct parallels with Hegseth’s reported interposition in a similar army promotion list in March, in which he is said to have directed the army secretary, Dan Driscoll, to remove two women and two Black officers from a nomination slate to become one-star generals.
Hegseth has previously railed against diversity and so-called “woke” in the armed services.
“For too long, we’ve promoted too many uniform leaders for the wrong reasons – based on their race, based on gender quotas, based on historic so-called firsts,” he told a keynote meeting of military commanders in Virginia in September. “The sooner we have the right people, the sooner we can advance the right policies.”
Hegseth’s involvement in the promotions list is unusual, according to a former military official. “It’s supposed to an up-and-down vote from the defense secretary. He continuing to meddle on an individual basis,” he said. “He’s stripping autonomy from the service secretaries.”
One name still on the latest navy list published on 22 May is Capt Sean Barbabella, Donald Trump’s White House physician, who last week declared the almost 80-year-old president to be in “excellent health”, despite photographs showing him at times with swollen ankles, bruised hands and a blotchy neck.
Hegseth stepped in to overrule a board of navy admirals that had drawn up the list, the Times said, also removing four white officers. The outlet noted that the list as published, which must be confirmed by the US Senate, bears little relation to the makeup of the force the nominees will lead.
The report cites a 2024 government profile of the navy’s active-service composition, which revealed that more than 21% are women, and that almost 40% identify with racial minority groups.
The Guardian reported in March that Hegseth, who styles himself the “secretary of war”, acted soon after his confirmation as defense secretary last year to block promotions or redeploy senior military officers, 60% of them women or Black.
He reassigned V Adm Yvette Davids, the first woman to lead the US naval academy, and dismissed another navy vice-admiral, Shoshana Chatfield, as the US military representative to the Nato military committee.
Hegseth also dismissed Adm Lisa Franchetti as chief of naval operations.
Coast guard commandant Linda Fagan, who served for 37 years and was the longest serving active duty marine safety officer, was dismissed on 20 January 2025, the first day of Trump’s second term of office, four days before Hegseth’s narrow Senate confirmation.
Overall, the Times said, Hegseth has fired or sidelined nearly three dozen senior military officers.
The actions extend the Trump administration’s efforts to reshape the US military, which have included attempts to ban women from combat roles and blocking transgender troops from serving.
A federal appeals court in Washington DC on Monday delivered a setback to the anti-diversity push by ruling that the government acted illegally by moving to dismiss transgender service members. That case is expected to reach the supreme court.
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